• The language of kabuki is difficult to understand, but earphones are provided to explain the story, and there are also earphone services available in English.

    歌舞伎使用的语言很难理解但是提供耳机解释故事的内容,还有英文解说服务

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  • Kabuki appeared in the mid-seventeenth century in Japan.

    日本歌舞伎兴起于十七世纪中叶。

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  • Kabuki appeared in the mid - seventeenth century in Japan.

    日本歌舞伎兴起于十七世纪中叶

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  • Kabuki and Bunraku performances are accompanied by the shamisen.

    歌舞伎“文乐木偶戏”的伴奏也是三味线”。

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  • The kabuki actors wear traditional costumes, and sing in addition to acting.

    歌舞伎演员身穿传统戏服除了表演之外还要唱歌

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  • Kabuki is for the common people and I also want my music to be for everyone.

    歌舞伎普通人的,希望音乐也能每一个人的。

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  • Kabuki and Noh in Japan as the most representative one of the traditional operas.

    歌舞伎能剧一样是日本最有代表性传统戏曲之一

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  • Okuni retired around 1610 and by that time, there were many imitators of kabuki theatre.

    在公元1610年阿国结束了舞台生涯,那时截止, 已经很多歌舞伎戏院效仿者了。

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  • It features the onnagata performers, male kabuki actors who perform the roles of women.

    特色形表演者,也就是扮演女性角色歌舞伎演员。

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  • At this point the audience will cheer and you will get caught up in the wonder of Kabuki!

    此时观众喝彩,这时感受到歌舞伎美妙之处。

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  • The most famous ronin were the 47 whose actions were celebrated in the kabuki play Chushingura.

    有四十七位浪人最为著名近松门左卫门忠臣藏》剧目中颂扬了他们行为

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  • The hotel's most famous dining spot is Kabuki Wellington , which has held a Michelin star since 2009.

    酒店著名的餐饮惠灵顿歌舞伎,自2009以来举行米其林星级。

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  • Because of the strange costumes and reversed-gender roles, Okuni’s performances came to be known as kabuki dance.

    由于奇特服装颠倒的性别角色,奥库尼的表演开始称为歌舞伎舞蹈(kabuki dance)。

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  • Young people, in particular, sometimes feel shackled by rigid conventions of behavior that can seem as arcane as a Kabuki drama.

    特别是年轻人,他们有时会因为这些习惯上硬性要求而觉得倍受约束,正如晦涩难懂歌舞伎戏曲所表现的那样。

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  • The reasons for this singularity of Kabuki lie in the differences in the languages and the lengths of the respective genres.

    歌舞伎消失自我介绍原因在于中日语言艺术的差别;剧本长短问题

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  • Japan . kabuki theatre . actor bondo mitsugoro praying in front of an altar in his dressing room , before going on stage . 1951

    1951年,日本歌舞伎剧场演员坂东三津五郎在上台之前自己换衣间中的神龛祈祷

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  • It was a bamboo flute called a shinobue, much used in Noh and Kabuki theater music and part of the essential "kit" of the geisha.

    使用竹笛叫做筱笛,艺妓基本工具”之一,多用日本能剧歌舞伎剧场音乐之中。

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  • Although kabuki is one of the world's few remaining all-male theatrical traditions, its roots are traced to a woman named Izumo no Okuni.

    尽管歌舞伎世界上现存演员全为男性戏剧传统之一但其根源可以追溯到一个名叫奥库尼(okuni)的女人

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  • Even those in the strategy sessions began privately referring to the team meetings as "kabuki" and became as disengaged as their colleagues.

    即使那些参加策略会议的人在私下也会团队会议称为“演戏”,从而变得他们的同事一样懒散

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  • In one performance, usually lasting four or five hours, three or four stories are performed. Kabuki is popular with foreigners as well as Japanese..

    每场演出有3 ~4个故事,演出持续四五个小时,不仅日本人,连很多外国人都喜欢看歌舞伎

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  • Music played with the instrument shamisen a kind of guitar with only three strings. kabuki and bunraku performances are accompanied by the shamisen.

    由“三味线”演奏音乐。“三味线”是一只有根弦弹拨乐器。“歌舞伎“文乐木偶戏”的伴奏也是用“三味线”。

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  • And there are culture practices such as KABUKI, BONSAI, SUMO, SADOU, KIMONO and ORIGAMI, all of which have developed into distinctly Japanese traditions.

    文化方面则有歌舞伎盆栽相扑茶道和服折纸源于日本独特文化传统

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  • Music played with the instrument shamisen, a kind of guitar with only three strings. Kabuki and Bunraku performances are accompanied by the shamisen.

    由“三味线”演奏音乐。“三味线”是一只有根弦弹拨乐器。“歌舞伎“文乐木偶戏”的伴奏也是用“三味线”。

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  • And he was so engrossed in the Kabuki of his work that it occurred to me how easy a mark he might make for a practical joker tying shoelaces together.

    如此专注自己工作突然想到把鞋带绑到一起的恶作剧者要想成功是多么简单

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  • Our researchers, with support from families with affected children, began a programme of research to pinpoint the underlying cause of Kabuki Syndrome.

    研究人员得到受影响儿童家庭的支持,开始了研究方案精确歌舞伎综合征根本原因

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  • Recognizing that many Japanese in the 1970s viewed kabuki as dull, he created a novel, spectacular form of kabuki based on exciting stories and called itSuper Kabuki.”

    由于他认识到,20世纪70年代许多日本人认为歌舞伎沉闷单调乏味,所以精彩故事为基础创造了一种新颖引人注目的歌舞伎形式叫做“超级歌舞伎。”

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  • But for sheer all-round exuberance, theatrical dynamism and engaging bravado, there is nothing quite to match the larger-than-life form that goes by the name of “kabuki.”

    但是,如果谈及它的全面繁荣戏剧性活力以及令人着迷的虚张声势没有什么堪与高于生活形式相匹配这种艺术形式叫做“歌舞伎”。

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  • But for sheer all-round exuberance, theatrical dynamism and engaging bravado, there is nothing quite to match the larger-than-life form that goes by the name of “kabuki.”

    但是,如果谈及它的全面繁荣戏剧性活力以及令人着迷的虚张声势没有什么堪与高于生活形式相匹配这种艺术形式叫做“歌舞伎”。

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