They are Jomon - or 'cord-pattern' pots.
它们就是绳纹陶器。
Sussman's first subject was the Jomon Sugi, a Cryptomeria tree on Yakushima Island, Japan.
苏斯曼的第一个拍摄对象是绳文杉——一种生长在日本屋久岛的柳杉。
Nowadays Jomon POTS are used as cultural ambassadors for Japan in major exhibitions around the world.
如今绳纹陶器已经充当起日本文化大使的角色，在世界各地的大型展览与人们见面。
The Jomon hunter-gatherer way of life, enriched and transformed by the making of Jomon pottery, didn't radically change for over 14, 000 years.
绳纹陶器的制作，丰富与改造了绳纹人这种狩猎与采集的生活方式；而后在一万四千年的漫漫岁月中，一切没有多大的改变。
Genetic studies have suggested interbreeding between the Yayoi and Jomon people, with the Jomon contribution to modern Japanese being as much as 40 percent.
基因研究显示了弥生人和縄文人之间的杂交，縄文人对现代日本基因的贡献有40%之多。
Mr. Lee reasoned that Japanese would have originated with the Jomon if the root of the tree turned out to be very ancient, but with the Yayoi culture if recent.
李先生论证到，如果树形图的根很古老的话日本语则应该是起源于縄文文化，如果很近的话则应该是弥生文化。
Characteristic of the late Jomon period (10, 000–300 BCE) are the striking clay figurines known as dogu, which mostly depict human females and may have functioned as fertility symbols.
绳文时代（10 000 -公元前300）后期的特征是被称为dogu的醒目的粘土小雕像，它们大多描绘女性，可能具有生育符号的功能。
It was the Jomon people living in what is now northern Japan, who created the world's first POTS. Simon Kaner, of the University of East Anglia, is a specialist in ancient Japanese culture.
正是这些生活在如今日本北部的绳纹人制造了世界上的首件陶器。
As an outsider, I find the meticulous attention to detail and the patterning of the surface, and the long continuity of Jomon traditions, already very Japanese. Professor Takashi Doi again.
作为一个局外人，我发现绳纹陶品上那种对细节一丝不苟还有精致的表面图案，再加上长期连续的绳纹传统，真是相当的日本。
Jomon POTS and culture have great resonance for many Japanese people today, perhaps because it speaks of the distinctive nature of Japanese culture that often stresses continuity through change.
绳纹陶器与文化在许多当今的日本人民心头仍然可以产生强烈的共鸣，也许是因为它叙说了日本文化的独特性质，强调改变需要在传承性与连续性中进行。
Jomon POTS and culture have great resonance for many Japanese people today, perhaps because it speaks of the distinctive nature of Japanese culture that often stresses continuity through change.
绳纹陶器与文化在许多当今的日本人民心头仍然可以产生强烈的共鸣，也许是因为它叙说了日本文化的独特性质，强调改变需要在传承性与连续性中进行。
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