Jameson himself reminds us of the dangers.
詹姆逊自己也提醒我们这其中的危险。
As Jameson says, these two dangers at the first level are the danger of structuralism and the danger of vulgar materialism.
正如詹姆逊所说，第一层次的这两种危险，是结构主义的危险，和庸俗唯物主义的危险。
For dispelling the pessimism of the people this space causes, Jameson introduces such ideal mode of "cognitive mapping".
为了消除这种空间带给人们的悲观主义，詹姆逊引入“认知绘图”这种理想模式。
Finally, Jameson connects history with text, and constructs himself culture and hermeneutic system: three concentric circles.
最后，詹姆逊打通了历史与文本，形成自己的文化阐释系统：三个同心圆。
The last part evaluates Jameson "s mass culture theory and points out that it may serve as reference to our contemporary cultural undertakings."
第五部分评价詹明信的大众文化理论，并指出其对我国当前大众文化建设的参考意义。
Roman colonnades are mixed with Georgian windows, and so on. Jameson believes tha this schizophrenia comes about as a result of a refusal to think historically.
罗马式柱廊混合乔治王时代的窗饰，如此种种。詹姆森坚信这种分裂性是拒绝运用历史眼光思考问题的后果。
Absorbing some psychoanalysis points of view, Jameson thinks that dialectical criticism should demonstrate the content of literary works, suppressed unconsciousness and original experience.
詹姆逊吸收了精神分析学的某些观点，认为“辨证的批评”应当显示文艺作品的内容，揭示被压抑的无意识和原始经验。
Firstly, Jameson regards history as ultimate context of his poetics of culture and hermeneutic, thinking all literary culture texts can be interpreted better only in the history of totality.
首先，詹姆逊将历史视为其文化阐释诗学的终极视域，认为一切文学文化文本，只有放置在总体性的历史之中，才能得到更好地说明。
Firstly, Jameson regards history as ultimate context of his poetics of culture and hermeneutic, thinking all literary culture texts can be interpreted better only in the history of totality.
首先，詹姆逊将历史视为其文化阐释诗学的终极视域，认为一切文学文化文本，只有放置在总体性的历史之中，才能得到更好地说明。
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