Neither Greenwald nor Poitras ultimately object to Stone making his film.
格林沃尔德和普瓦拉特斯最终都没有反对斯通拍摄他的电影。
The great bulk of the work was handled by jerry greenwald and Steve miller.
大量的工作是由杰里·格林沃尔德和史蒂夫·米勒去做的。
Stone later came back and offered to match Sony's bid, but Greenwald declined.
斯通后来又找上门来，说可以给出与索尼一样的报价，但遭到了格林沃尔德的拒绝。
Ms. Greenwald was attempting to make a left turn across four lanes of oncoming traffic.
格林瓦尔德当时想要左拐并穿越迎面来车的四条车道。
"This is now a place, not a construction site, not a design," Alice M. Greenwald, the director of the memorial museum, said.
“如今它已落成，不再是工地，也不是设计图纸，”纪念博物馆馆长爱丽•m•格林伍德说道。
Still, Greenwald would need a much larger budget to start making the kinds of detailed predictions seen in Richmond or Memphis.
格林沃德仍然需要一个更大的预算来开始做在里奇·蒙德或者孟菲斯类似的详细的预测。
"The car is the only place where my husband and I argue," says Ms. Greenwald, 31, a media and communications consultant in Washington, DC.
“汽车是我和丈夫唯一发生争执的地方”，31岁的格林瓦尔德说。她是华盛顿特区的一位传媒和公关顾问。
While his own movie still lingered in development, Greenwald thought Snowden's story might in fact be safer in Stone's hands than it would be elsewhere.
虽然格林沃尔德自己的电影仍处于筹划阶段，但他认为斯诺登的故事由斯通来讲述可能比由其他人讲述更安全。
Stone and Greenwald became friendly, and when Greenwald's book drew interest in Hollywood before it was published, the journalist turned to Stone for advice.
斯通与格林沃尔德关系熟起来。格林沃尔德的书在发行前即在好莱坞引发了兴趣，那时他还寻求了斯通的建议。
Jonathan Knee and his co-authors, Bruce Greenwald and Ava Seave, observe that media conglomerates as a whole have underperformed since the advent of the Internet.
《巨头的诅咒》一书却认为，这些利好只是海市蜃楼。 据作者乔纳森·尼、布鲁斯·格林沃德和艾娃·西弗的观察，自从互联网出现之后，众多的传媒集团从整体上看，表现并不理想。
Jonathan Knee and his co-authors, Bruce Greenwald and Ava Seave, observe that media conglomerates as a whole have underperformed since the advent of the Internet.
《巨头的诅咒》一书却认为，这些利好只是海市蜃楼。 据作者乔纳森·尼、布鲁斯·格林沃德和艾娃·西弗的观察，自从互联网出现之后，众多的传媒集团从整体上看，表现并不理想。
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