Neel combined realism with expressionism.
尼尔将现实主义与表现主义相结合。
Foremost among the forms of stylization is expressionism which presents reality not as it is but as how the protagonist sees it.
风格化的各种形式中最突出者首推表现主义，表现派不是如实地反映现实，而是按照主人公的眼光来反映现实。
It's one of the series about the Yellow River, which shows the relationship between human being and the nature by expressionism skill.
这是近年作者黄河系列作品中的一幅，运用表现性手法表现人与自然的关系。
Likewise, in Western art, the drawing practice taking "splash" as the way of creation only appeared in the abstract expressionism in the middle of the 20th century.
同样，在西方艺术中，以“泼”为创作方式的绘画实践也要到20世纪中叶的抽象表现主义才出现。
The symbolic content of abstract expressionism .
抽象表现派的象征性内容。
Luld cs loathes expressionism and modernist art, but advocates realism.
他憎恶表现主义和现代派艺术，提倡现实主义。
The work is the closest to expressionism of new type based on best traditions.
作品最接近基于优秀传统之上的表现主义。
Bazaine's "Dawn" is a good example of what is sometimes called abstract-expressionism.
他的作品“黎明”就是一个很好的关于抽象艺术-表现主义的例子。
Yang Kai's painting is not an abstract expressionism, but closer to a symbolic expressionism.
杨锴的绘画不是一种抽象表现主义，更接近一种象征的表现主义。
As a literature movement, expressionism budded in Germany, flourished in Europe but very soon vanished.
表现主义作为一种文学运动出现在德国兴盛于欧洲，并很快销声匿迹。
As symbolic expressionism art, Dunhuang decorative pattern art express the specific idea by abstract form and striking effect.
作为象征性的表现艺术，敦煌图案设计艺术以抽象的形式，富有表现力的效果，传达了特定的观念。
Qi Haifeng's painting style is influenced by several artistic trends, such as expressionism, symbolism, surrealism, classicism and even pop art.
祁海峰的画受多种风格的影响，表现主义、象征主义、超现实主义等，甚至还有古典的和波普的。
The Emperor Jones is the turning point of Onear's realist and modern dramas integrating expressionism impressionism and aesthetics of realist dramas.
《琼斯皇》是奥尼尔现实主义戏剧和现代派戏剧的转折点，融表现主义、象征主义和现实主义戏剧美学思想为一体。
The tragic nature of Eugene O Neill splays is deeply influenced by the ancient Greek tragedy, the expressionism of Strindberg, and O Neill sown experience.
奥尼尔戏剧的悲剧性质深受古希腊悲剧、斯特林堡的表现主义及其个人经历的影响。
The work is of expressionism style which shows the resistance or protest against the blockages that are deleterious to our social and physical environment.
作品为表现主义绘画，表达了对我们的社会和自然环境中有害的障碍的反对和抵抗。
The founder of this musical form is Schoenberg, a spokesman of expressionism. It opposes the traditional music form and emphasizes the abolition of tonality and tonic.
十二音乐的创始人是表现主义代表人物勋伯格，其音乐表现出与传统音乐形式的对立，主张取消调性与主音。
In this gray zone we discover that abstract expressionism, mysticism and realism all live within the same time and space, and that they are all mutually interchangeable.
从而我们发现在这个灰色的地带中，抽象表现主义、神秘主义以及现实主义其实都共生在一个时空中，相互之间可以任意转换与置换。
Wyeth did not select the prevalent abstract expressionism at that time but chose the way in which the abstract consciousness is represented by the representational figures.
怀斯没有选择当时红极一时的抽象表现主义，而是选择了以具象的形象表现抽象意识这样一条艺术道路。
Novels of expressionism, existentialism, absurdism and black humor all emphasize the authors' feelings and understandings of society and life, and they all obviously "ideographic".
表现主义小说、存在主义小说、荒诞派小说和黑色幽默小说等着重表现作者对社会人生的感受和解悟，具有明显的“表意性”。
There are two forms of Expressionism, i. e. expressionism as an aesthetic school, and as a trend of artistic thought. They differ from each other, while also have some connections.
表现主义有两种形态，一种是作为美学流派的表现主义，另一种是作为艺术思潮的表现主义，两者既相互联系，又相互区别。
He combines the characteristics of expressionism from both the Oriental and the West, while the exploration of pure visual aesthetics to authenticity and concept of painting never ceases.
他在绘画表达上融合东西方表现主义的特征，对绘画性与观念性的纯视觉美学不断进行探索。
With Pierrot lunaire as an example, the author deals with expressionism in music, its historical context, philosophical basis, ideas guiding composition and features of artistic expressions.
本文以勋伯格的《月迷彼埃罗》为例，对表现主义音乐产生的历史环境、哲学基础以及这一音乐流派的创作思想和艺术表现特征作了阐述和评价。
In 1914 Le Fauconnier moved to Amsterdam where, together with several Dutch artists and writers, he founded the Signal group (1916) proclaiming a return to nature and a symbolic expressionism.
1914年福科尼耶移居阿姆斯特丹，在那儿和一些荷兰艺术家与作家共同建立了“记号”画派(1916年)，宣称回归自然和一种象征性的表现主义。
This shows his shift from surrealistic symbols to expressionism. His painting language is more free, his painting style more rhythmical and the visual shock it brings to the viewers more powerful.
他的艺术也由此完成了从超现实主义的象征到表现主义的转换，他的油画语言也更为自由，笔触更富有节奏与力度，对观众视觉的冲击力更为强烈。
This shows his shift from surrealistic symbols to expressionism. His painting language is more free, his painting style more rhythmical and the visual shock it brings to the viewers more powerful.
他的艺术也由此完成了从超现实主义的象征到表现主义的转换，他的油画语言也更为自由，笔触更富有节奏与力度，对观众视觉的冲击力更为强烈。
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