The Chinese literature of the 1950s demanded "truthfulness" in nature, which was the criterion of literary creation and criticism.
1950年代的文学要求表现本质真实，并以此为创作和批评的标准。
All these shall be treated as the basic evaluation criterion for historical theme creation.
这才应该是评价历史题材创作的基本标准。
In the subject choice, the spatial laying aside, the color utilization, the material selection, criterion management, idea creation many aspects, it need further enhance.
在主题的选择、空间的放置、色彩的运用、材料的选取、尺度的经营、意境的制造等方面有待进一步提高。
The starting point of this text is to prove the criterion above is not preCise by analyzing Chenting's creation achievement and thought of Ci who lives in .
本文的出发点在于通过解析明代中期重要词人陈霆的创作成就和词学思想，证明这种通行的观点过于粗糙，有失公允。
Pursue user-friendly criterion indoor outer space, creation as far as possible many polytropic characteristics.
追求人性化尺度的室内外空间，创造尽量多的多元性特色。
Since Hemingway compared the literary creation to the iceberg floating on the ocean for the first time in 1932, the literary critics have named this writing criterion as "The Principle of Iceberg".
自从海明威于1 932年第一次把文学创作比作漂浮在大洋上的冰山以后，文学界就把他的这一创作准则称为“冰山原则”。
Tolstoy regards the artistic authenticity as his motto of all his literary creation activities and takes it as a criterion to judge other writers works.
托尔斯泰把艺术真实当作自己整个文学活动的座右铭，并常以“真实性”原则作为衡量别的作家作品优劣的重要的美学标准。
Tolstoy regards the artistic authenticity as his motto of all his literary creation activities and takes it as a criterion to judge other writers works.
托尔斯泰把艺术真实当作自己整个文学活动的座右铭，并常以“真实性”原则作为衡量别的作家作品优劣的重要的美学标准。
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