• Shen Congwen was one of the pioneers in New Literature History.

    沈从文是“新文学的拓荒者”之一。

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  • Shen Congwen, a well-known writer in China, was born in Fenghuang.

    是我国著名作家沈从文的故乡。

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  • Shen Congwen developed a school of its own in Chinese literal society.

    沈从文在中国现代文坛独树一帜。

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  • In modern literary history, Shen Congwen was a special cultural phenomenon.

    在现代文学史上,沈从文是一个特殊的文化现象。

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  • The paper inquires into the consciousness of time in the Shen Congwen s works.

    本文所探讨的是沈从文创作中的时间意识。

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  • Thomas Hardy and Shen Congwen are remarkable writers for their regional novels.

    作为东西方的两大文学巨匠,托马斯·哈代和沈从文都是著名的乡土作家。

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  • Shen Congwen is a great writer, as well as a critic in modern Chinese literature.

    沈从文是中国现代文学史上的著名作家,其次才是批评家。

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  • Chapter three addresses the background of the Enlightenment attitude of Shen Congwen.

    第三章,考察沈从文启蒙的资源背景。

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  • Shen Congwen and Shi Tuo both are writers who seek creation individuality consciously.

    沈从文与师陀都是自觉追求创作个性的作家。

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  • The fictions of Shen Congwen are of great theoretical value and practical significance.

    沈从文的小说富有极高的理论价值和实践意义。

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  • Shen Congwen s novels are distinctively characterized by the worship of number "three".

    沈从文小说具有突出的尚“三”特征。

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  • Shen Congwen indeed liked to write of escape from the suffocating embrace of the family.

    沈从文喜欢写自己老想逃离家庭,躲开家中令人窒息的空气。

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  • Shen Congwen has described a harmonious tea cave society of western Hunan in Border Town.

    沈从文在《边城》里描绘了一个和谐融洽的湘西茶峒社会。

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  • Cultural psychological perspective is an important window on learning about Shen Congwen.

    文化心理是研究沈从文的重要窗口。

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  • The Border Town was a representative work of Shen Congwen, a Modernistic famous writer of China,.

    《边城》是中国现代著名作家沈从文的代表之作。

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  • The artistic world of Shen Congwen includes the world of Western Hunan and the world of metropolis.

    沈从文的艺术世界包括了湘西世界和都市世界。

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  • In the local novels of Shen Congwen, tragedy quality mainly embodies many types of having poetic quality.

    在沈从文的乡土小说中,悲剧性意蕴突出体现为具有多种形式的悲剧,充满诗性的审美色彩。

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  • The abundance and uniqueness of Shen Congwen and his works are rooted in his culture pedigree's complexity.

    沈从文及其创作的丰富性和独特性根源于其文化谱系的复杂性。

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  • Shen Congwen, who brought from a rural half-bred person, bore legend experience, formed his lonely complex.

    沈从文苗土混血的民族出身,富有传奇色彩的个人经历,形成了他的孤独情结。

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  • Shen Congwen is not only a famous modern writer and artist, but also a well-known ideologist in modern history.

    沈从文不只是现代著名的文学艺术家,也是现代史上著名的思想者。

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  • The Xanadu complex is mutual to Shen Congwen and readers, is human's pursuit and expectation to ideal homestead.

    “桃源”情结是沈从文和读者共有的,是人类对理想家园的追寻和期待。

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  • From this love and lost sad story, Sheng Congwen expresses his compassion for the endless cycle of human beings.

    这是一个爱与失去的永恒悲剧,从中折射出沈从文对人类在爱与失去中无尽循环的悲悯情怀。

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  • Shen Congwen was not apt to the popular criticism pattern of that time, but to adopt a unique criticism strategy.

    沈从文并不倾向于当时流行的批评模式,而是采取一种独特的批评策略。

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  • Shen Congwen gradually accepted the new society through the confrontation of enlightenment and self-enlightenment.

    沈从文却通过被启蒙与自我启蒙的对抗,来逐渐认可新社会。

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  • Shen Congwen, who has a strong sense of seeking origin, is a pioneering writer of literature of seeking the origin.

    沈从文是寻根文学的先锋作家,具有强烈的寻根意识。

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  • In his novels, Shen Congwen interpreted and analyzed the self-degrading, self-complacent and self-dependent forms of life.

    沈从文的小说解析了生命的自损形态、自足形态和自强形态。

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  • Chapter II from customs, the people, image, language, style and mood, and other aspects of the Shen Congwen aesthetic qualities.

    第二章从民俗风情、人物形象、语言文体和意境等方面探讨了沈从文《边城》的美学特质。

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  • Chapter two discusses three enlightenment attitude of Shen Congwen-toward the periphery, countryside-returning to, silent retreat.

    第二章,梳理并论述沈从文的三种启蒙姿态——走向边缘、回归乡下、沉默后退。

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  • Shen Congwen applied the romantic tone in great numbers in his articles to create the image of Xiangxi people and Xiangxi culture .

    沈从文在他的文章中大量运用浪漫主义的笔调塑造了湘西人和湘西文化。

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  • Border Town is entrusted with the Shen Congwen, "beauty" and "love" esthetic ideal, is his best performance of works of beauty a human.

    《边城》寄托着沈从文“美”与“爱”的美学理想,是他的作品中最能表现人性美的一部。

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