At the same time, the contradictions of the works also show the hesitation of the writer's thought and new reflection on the writing concept of traditional realism.
同时，这些作品蕴含的矛盾也表明作家思想的犹疑及其对传统现实主义写作观念的新思考。
Realism as a kind of standard of aesthetic is leading to the contemporary Chinese literature. Its aesthetic concept and narration rule is constructed a rise of conception of history.
当代中国文学一直以现实主义美学规范为主导，它的审美观念和叙事法则是由一整套的历史观念为基础建构起来的。
Realism painting is a very broad concept, it is traditional Chinese painting and added that the needs of The Times and is a product of The Times.
写实油画是一个很宽泛的概念，它是对中国传统绘画的补充，是时代的需要和时代的产物。
Naturalist literature had once been confused with realism in concept until Engels gave the latter a classical definition.
自然主义文学在概念上一度和现实主义混同，直到恩格斯对后者做了经典性的界定。
There is no need for contemporary art refuse realism; contemporary is an open concept which is not distinguished with the criterion of being figurative or not.
可是难道坏消息不报就代表它不存在吗？写实和当代这两个概念根本无法类比。
This thesis attempts to study Zang Kejia's poems before 1949 from the perspective of realism while not being restricted by the concept.
本文试图以现实主义概念为视角，同时力求超越固定概念的限定来考察臧克家建国前的新诗创作。
Firstly, the theoretical discuss of the concept, the elements and the realism signification of School-based Curriculum Development.
一是对校本课程的内涵、校本课程开发的要义、我国开发校本课程的理论及现实意义作了探讨。
Analyzing the three schools of Realism from theoretical hypothesis, the concept of power and balance of power may contribute to grasping the main points of the three schools.
从理论假定、权力观和均势理论三个方面对现实主义的三个流派进行比较分析，有助于把握三大流派的要义。
And how to look at the Contacts between Brecht's expressionism and the real concept of his realism theory are also doubts.
而且如何看待布莱希特现实主义的表现主义倾向与现实主义之现实观之间的联系也是理论的疑点。
The new world order from concept of realism balance the power as the central building and other single-stage, two-stage, multi-level theoretical models of world order.
新现实主义的世界秩序观以权力、均势等为中心构建单级、两级、多级世界秩序的理论模式。
In this paper, we have examined the "form" and "the expression of vivid" sequence in traditional Chinese painting, based on the deeply analysis on its transforming from realism to concept itself.
本文通过对中国传统写实观到写意观的蜕变过程及特征的深入分析，探讨中国传统绘画“形”与“神”的主次关系。
In this paper, we have examined the "form" and "the expression of vivid" sequence in traditional Chinese painting, based on the deeply analysis on its transforming from realism to concept itself.
本文通过对中国传统写实观到写意观的蜕变过程及特征的深入分析，探讨中国传统绘画“形”与“神”的主次关系。
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