That's the paradox that I really like, the paradox of painting a nighttime scene using so much color and light.
我正是喜欢这种矛盾之处，用如此多的颜色和光线来描绘一个夜晚的场景。
Example: if you have a scene in a forest, every color should have a slight green tint or the painting is not going to look believable and unified enough.
例如：如果在深林里有一个场景，它的每种颜色都会略带绿色，否则你的画就会变得不可信。
Clouds, some translucent and some opaque, occur throughout the scene, distinguished from sea ice by their lighter color, rougher texture, and less distinct margins.
整幅画面中，那些云层，无论是半透明的还是不透明的，都因为更浅的颜色、粗糙的纹理以及独特的边界与海冰区分开来。
After downloading the results, the 3-D renderings appear as a wire-frame model of the captured scene with realistic surface color and texture.
三维图就像在3D线框模型上蒙上一层“皮”，皮的材质颜色与真实场景一样。
Color is a main characteristic of any visual scene, not only on computer screens, but in any situation where we see something.
颜色是任何视觉画面的主要特征，这并不仅限于计算机屏幕，而是任何我们所看到的事物。
In the second scene there was little to modify other than some color balance, levels and desaturation.
在第二个场景中，除了色彩平衡、层次感和减小饱和度外，还做了一点调整。
We are applying the layers to make the background fit our scene elements. We are also correcting the color and brightness.
我们将该图层加入背景中，使得背景与我们的场景更加匹配。同时我们也需要调整颜色和亮度。
Color BALANCE - how a camera reproduces the colors of a scene; using the wrong lighting can cause the colors to appear washed out or unnatural.
色彩平衡—照相机如何能真实再现场景色彩；错误的闪光将导致色彩褪色或不自然。
Sleek, minimalistic designs paired with vibrant pops of color set the scene for the 419 room oceanfront Emporio Acapulco resort.
时尚简约的设计，搭配充满活力的流行色的场景设定为419房海滨阿卡普尔科的度假村。
Before we start lighting and rendering the scene, we should have a little introduction to the actual shading of the scene and about a few of the technical aspects of things such as color Spaces.
在开始对场景设置灯光和渲染之前，我们应该稍微介绍一下关于实际生活中场景的明暗关系和色彩空间范围方面的技术性知识。
But, they help create the scenario and bring dynamic feel, along with contrast and color to the scene.
但是，人物能帮助创造情节，带来动态的感觉，同时还会有一些清晰度和色彩的运用。
Color correction can be used subtly or drastically change the look of a scene.
颜色矫正可以用来微妙或者彻底改变一个场景的外观。
Control the intensity and color of all or selected lights in the scene in one window.
在一个窗口中同时控制场景内所有或所选灯光的强度和颜色。
The color, aroma, state and other biological attributes of peony accord with the scene of the Tang Dynasty and its social and cultural psychology.
牡丹的色、香、态等生物属性契合盛唐大国景象及其社会文化心态，因而能集唐人的万千宠爱。
To add color to the scene, they were still wearing their bright blue baseball caps, so they blended in rather nicely with all the other costumes .
更加添彩的是，他们头上还带着艳蓝色的棒球帽，所以和其他的奇装异服搭配得非常好。
In contrast, false colorization means the image originally has a color attribute but such an attribute has been lost in the imaging process and the technique intends to imitate the actual scene.
与之对应，假彩色的处理对象本应具有颜色，但是颜色在成像过程中丢失，因此要利用彩色化来模拟真实的场景。
This time I used an HDR as the main light source in the scene, tweaked a bit using color correct.
在场景里我使用一个HDR作为主要的光源，并且调节了一下它的颜色。
The use of standard gray scale and color targets in the scene is required for correct camera exposure and positive printing.
在景物中设置标准灰阶标板和彩色靶标，其目的是为了确定正确的曝光量和正片印制。
The resultant negative transparency is essentially complimentary to the original scene in both tone and color.
最后得到的负性透明片，在色调和颜色方面均和原景物成互补关系。
LED high power cast light can be remote or DMX control, the button switch, can be achieved through the use of color chase MDX3 channel effects, and scene lighting designers may also be regulated.
LED大功率投光灯可用遥控或DMX控制，按钮开光，通过使用MDX3通道可达到色彩追逐效果，且场景也可由灯光设计师进行调控。
Snow, rain, snow that adorned the world, Chiung-chih Yu leaves, pink jade puzzle loaded, Haoran same color, is really gratifying scene school Ruixuefeng years.
雪后，那绵绵的白雪装饰着世界，琼枝玉叶，粉装玉砌，皓然一色，真是一派瑞雪丰年的喜人景象。
By excluding all color data in the scene except brightly-lit areas, a bright-pass filtered copy of the scene is created that can be used as the source of post-process lighting effects.
除了加亮的区域外除去所有场景中的色彩值，从场景中复制加亮过滤以便创建能用快速处理光照效果的资源。
In my work, I studied the configuration of the screen pictures from the light and color of the scene design, filming composition and traveling shot.
本文主要从影视场景设计的光线、色彩，以及影视摄影的构图和运动摄影来研究影视画面的造型艺术形式。
Based on the border in the shot clustering algorithm, we proposed the method of using the camera frame color image characteristics and the overall situation of movement to the scene segmentation.
在基于镜头边界的聚类算法基础上，提出了利用镜头帧图像的全局颜色特征和运动特征来分割场景的方法。
A viewpoint then proposed was that the gray adjustment and color recognition modules could be employed according to actual scene conditions.
同时提出了根据场景实际情况，选用灰度调整和颜色来判别模块的观点。
This paper illustrates a method to detect scene cuts using a difference metric based on the color histograms of successive frames of a video sequence.
该文阐述了一个用于场景探测的新方法。该方法用到了一个差异公式，而这个公式则建立在视频序列中连续帧的颜色直方图之上。
A nature scene image color-texture feature extraction method based on human visual system (HVS) was proposed.
提出了基于人类视觉系统的自然场景图像颜色和纹理特征提取方法。
To overcome the problem in RGB color model used to deal with video shot detection, proposes a method based HSV-color space model of scene cutting in video abstraction.
针对RGB彩色空间模型下统计直方图用于切分场景时，存在对内容变化不敏感、计算量大等问题，提出了一种基于HSV空间模型的视频场景切分方法。
To overcome the problem in RGB color model used to deal with video shot detection, proposes a method based HSV-color space model of scene cutting in video abstraction.
针对RGB彩色空间模型下统计直方图用于切分场景时，存在对内容变化不敏感、计算量大等问题，提出了一种基于HSV空间模型的视频场景切分方法。
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