At last, his collective trainings form the ritual surroundings, promoting the "wholeness"of an actor and a theater.
他用集体训练和仪式的方式，促成全身心体验的“总体的演员”的形成，构成了“整体戏剧”。
At last, his collective trainings form the ritual surroundings, promoting the "wholeness"of an actor and a theater.
他用集体训练和仪式的方式，促成全身心体验的“总体的演员”的形成，构成了“整体戏剧”。
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