Finally, and most tragically, Caliban becomes a parody of himself.
最后，而且最悲惨地，丑陋变成一个他自己的。
The nineteen-century dislike of Realism is the rage of Caliban seeing his own face in a glass.
十九世纪对现实主义的憎恶，犹如从镜子里照见自己面孔的卡利班的狂怒。
The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass.
十九世纪时对写实主义的轻蔑，如同狂人卡里班在镜中撇见自己的脸一般。
The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.
十九世纪时对浪漫主义的轻蔑则如同狂人卡里班看不见自己在镜中的脸一般。
In Caliban, we can see both his aspiration for beauty and his tendency towards the evil in an undeveloped form.
在凯列班身上，我们既看到了对美好事物的渴望，也看到了原始状态下趋向邪恶的力量。
In Caliban, we can see both his aspiration for beauty and his tendency towards the evil in an undeveloped form.
在凯列班身上，我们既看到了对美好事物的渴望，也看到了原始状态下趋向邪恶的力量。
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