Jancovich explains that changes in the 1970s censorship opened the door to more gory, body-centred special effects.
杨科维奇解释道，1970年审美观发生了转变，为更血腥、更集中于身体的特效打开了大门。
In his words: "it is a language purely visual and it is centred on the beauty of the gesture, a writing made of images, realized through dancing movements of the hand and the body."
用他自己的话来讲：“这是一种纯视觉的语言，它以肢体动作之美为中心，是由诸多形象构成的作品，通过手部和身体的舞动来完成。”
In his words: "it is a language purely visual and it is centred on the beauty of the gesture, a writing made of images, realized through dancing movements of the hand and the body."
用他自己的话来讲：“这是一种纯视觉的语言，它以肢体动作之美为中心，是由诸多形象构成的作品，通过手部和身体的舞动来完成。”
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