This article is divided four parts to elaborate on technique reality and art reality of Photographic art.
本文分四个部分对摄影技术真实和艺术真实进行循序渐进的论述。
The question of art reality is under discussed for a long time, even is usually regarded as the artistic core value.
艺术真实长期以来即是被广泛探讨的问题，甚至常常被当成是艺术的核心价值所在。
Pasik said the project is part art, part reality show, part journalism and part fun. But it is definitely not vigilantism.
帕西克称这个计划是艺术、“真人秀”、新闻报道和娱乐的结合体，但肯定不是维护治安的手段。
How to get art reality under technique reality which highly reappears the real object is one of the main ways to get photographic art value.
如何在摄影高度再现的技术性真实下，发现艺术之真，是找到摄影的艺术价值的主要途径之一。
Baudelaire regarded photography as "a very humble servant of art and science"; a medium largely unable to transcend "external reality".
波德莱尔认为摄影是“艺术和科学的一个非常卑微的仆人”；是一种很大程度上无法超越“外部现实”的媒介。
I wanted to show my understanding of art, and of reality.
我想展示自己对艺术和现实的理解。
Art, I believe, should be a window to the real world, even clarifying our view so that we might perceive from reality a new meaning.
艺术，我相信，艺术是现实世界的窗户，甚至可以澄明我们的视野，使我们观照到现实生活的新意。
PHOTOGRAPHY often blurs the distinction between art and reality.
摄影技术经常模糊了艺术和真实之间的区别。
Art is the re-enactment of reality, of a reality purifies, freed from constraints and irrelevant accidents, unfettered to the material circumstances that confuse the essence.
艺术是现实的再现，是现实的升华，艺术不受不相干的突发事件的制约，不受掩盖本质的物质环境的束缚。
The purpose of art is to project feelings and the reality of a subjective private life in the midst of public events into a particular plastic medium-words, in the case of prose.
艺术的目的是以特定的可塑性媒体(对于散文而言就是词语)在公共事件中反映出个人感情以及个人私生活的真实性。
In fact, if there were such a thing as an opportunity index, it would stand at about 7.5 out of 10 now, says Guy Kawasaki, entrepreneur and author of the art of the Start and Reality Check.
企业家和《创业的艺术》、《现实验证》的作者盖川崎说“实际上，如果有这样的机会，那将达到75%。”
He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art.
同时他也检验了虚拟现实的特性并将其和早期的幻觉艺术做了区分。
How could I explain to this intense young perfectionist that while his perception of art may have been good, his understanding of life and human reality were not?
面对这位年轻、激进的完美主义者，我该怎样对他说：也许他的艺术观是对的，但他对生活和人类现实的理解却不尽如此?。
Art in ancient China to find a completely detached from the reality of the plastic varieties framework, it is more difficult.
要在中国古代艺苑中寻觅一个完全脱离了现实主义框架的造型艺术品种，是比较困难的。
In the conclusion partial emphases complex environment, only has persisted the principle faces the reality to sharpen own diligently ability, pursues art.
结语部分强调复杂环境中，惟有坚持原则面对现实努力提高自己的能力，来追求艺术。
The work of literature and art should abide by The duality of humanity to assure people's reality and be plenty in description of the objective and subjective people.
文艺作品无论描写“对象的人”，还是表现“主体的人”，都应该遵守人的本质的二重性原则，从而确保人物的真实性、丰富性。
However, human emotion is always rooted in art creation, enabling the art works to possess both objective reality and subjective spirit.
但人的情感始终植根于艺术创作的根基，使其艺术作品更具客观现实与主观精神的两重化性质。
The first part denies Gauguin to avoid the reality rigid the manner, the affirmation to art.
第一部分否定高更回避现实的态度，肯定对艺术的执着。
According to the big events of reality to creative works, it showed his to become a reporter, and also formed his art limitation in his creative works.
而以社会现实中的重大事件为创作素材则反映了他当初想当一名记者的夙愿，也构成了他在创作上的艺术局限性。
Traditional art enjoys a long and outstanding history, but is not sufficient in terms of theoretical sensitivity towards the new things in reality that represent the future trend.
传统的艺术学有着卓越而悠久的历史，但对于现实生活中代表未来方向的新生事物，传统艺术学存在滞后性，缺乏足够的理论敏感性。
The reflection of contemporary art on this change is the appearance of various kinds of abnormal arts that reflect on the reality at emergent moments.
当代艺术对此的反映为，把因价值危急而出现的种种畸态的艺术作为对现实的回应。
When we talk about the art of literature, we have to face an old topic, that is the relation between literature and reality.
谈到文学艺术，就需要面对一个古老的话题——文学与现实的关系。
By means of imaginary aesthetic forms, art and aesthetics deny and surpass the reality.
艺术和审美通过虚构的审美形式实现对现实的否定和超越。
To analyze it from the perspective of the theoretical means, we can easily get such a hint as "the aesthetic relationship between art and reality".
从理论方法上分析这一现象，我们不难得到“艺术与现实的美学关系”这样的暗示。
Realism as a dimension of art study, is mostly concerned with the aesthetic relationship between art and reality.
现实主义作为艺术探究的一个维度，所关注的是艺术与现实的美学关系。
Zhang Ailing complex of dread is an important bridge which connects her world of art with the world of reality, and also a key through which people can come into Zhang Ailings secret world.
张爱玲心理世界中的“恐惧”情结是连接其艺术世界和现实世界的重要桥梁，也是人们进入神秘的张爱玲世界的一把钥匙。
Zhang Ailing complex of dread is an important bridge which connects her world of art with the world of reality, and also a key through which people can come into Zhang Ailings secret world.
张爱玲心理世界中的“恐惧”情结是连接其艺术世界和现实世界的重要桥梁，也是人们进入神秘的张爱玲世界的一把钥匙。
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