He angers with little provocation.
他受了点小刺激就发怒。
She sometimes angers with little or no provocation.
她有时无缘无故就生气。
He has made a(n)offensive remark that angers all of us.
他那冒犯的话语让我们都很生气。
The British can be oddly obtuse about how their arrogance angers others.
英国人也可以装作不了解其他人对于他们的骄傲自大有多么的不满。
Different angers vary not only in their intensity but also in their purpose.
不同的愤怒不仅在强度上有所不一,而且目的也是多种多样。
A king's wrath is like the roar of a lion; he who angers him forfeits his life.
王的威吓,如同狮子吼叫;惹动他怒的,是自害己命。
The struggles of the two men remind us of our own struggles to control our animosities and angers.
两位男主角之间的斗争提醒我们在斗争中要控制自己仇恨及愤怒。
All this advice about appearances angers the individualists who insist on living and behaving as they please.
有关外表的这一切忠告,激怒了那些个人主义者,因为他们坚持在生活和待人接物时我行我素。
This surplus angers America's exporters, who want China to buy more of their goods, rather than salting money away.
这些盈余让美国出口商十分恼火,他们希望中国家庭多购买他们的产品,而不是把钱都存起来。
“Unemployment is over 9 percent, and to be paying first-year associates $500 an hour angers the public, ” he observes.
失业率超过9%,而一年见习律师每小时五百美元的酬金引发了众怒。
But what are Tours, Blois, Angers, Reims and Nantes doing there? Pre-Katrina, this prophecy was originally thought to refer to France.
但是原文中的“图尔市、奥尔良、布罗瓦、昂热、兰斯还有南特又指的是什么?”卡特里娜飓风之前,他的预言起初被认为指的是法国。
A city of western France east-northeast of Nantes. Of pre-Roman origin, Angers was the historical capital of Anjou. Population, 136,038.
翁热:法国西部一城市,位于南次东北偏东。建立在罗马时代以前,曾是安茹的历史都城。人口136,038。
Our individual explosions are signals that we care strongly about something - that we're deeply invested - even if our angers are about different things.
个人愤怒的爆发表明我们非常在乎某些东西——我们深切地投入其中——即使我们的愤怒所针对的是不同的事情。
In their works, no other than flat gender symbol, no other than synthetic with varied services, women are realistic figures with their own joy and angers.
在她们的作品里,女性不再是一个扁平的性别符号,也不再是一个携带种种服务功能的综合物,而是一个具有喜怒哀乐的真实的人物形象。
In their works, no other than flat gender symbol, no other than synthetic with varied services, women are realistic figures with their own joy and angers.
在她们的作品里,女性不再是一个扁平的性别符号,也不再是一个携带种种服务功能的综合物,而是一个具有喜怒哀乐的真实的人物形象。
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