The goal of the artist is to produce an observable artifact that provokes an aesthetic response.
艺术家的目标是创作出可以引起人们注意的物品，并激发起审美上的响应。
Wolfgang Iser, a scholar of aesthetic response, presents a concept of "the implied reader" after studying the other models carefully.
读者反应批评大师沃夫冈·伊泽尔在研究了这些理论的优、缺点之后，推出了“隐含读者”这个概念。
The"theory of aesthetic response"contains the theory of phenomenology text, the theory of reader and the theory of literary communication.
伊瑟尔阅读审美响应理论的构成主要包括现象学本文观、读者观以及文学交流理论三个部分。
Their response was to reinterpret the traditional aesthetic, creating front and rear facades that combine vertical and horizontal elements, louvred window shades, flower boxes and balconies.
他们的回应是重新诠释传统的审美，结合垂直和水平的元素创造前后立面，如百叶窗帘、花箱和阳台等。
In response to e-mailed questions, he explained that the characters "in many ways represent the aesthetic philosophy behind my work."
在电子邮件回复中他解释道这两个形象“通过我的设计从多方面表现出美学与哲学的思考。”
Ingarden's aesthetic thought is the important contents of phenomenological aesthetics, which strongly influenced the hermeneutic aesthetics and the theory of reader-response.
英伽登的美学思想是现象学美学的重要内容，对于其后的解释学美学以及读者反应理论都有巨大的影响。
The artists work in zones, borderline for the aesthetic and social response, and with the most poignant problem for these zones and the general social state.
他们的艺术处在美学和社会反馈的交界区，并对这些区域和普遍的社会状况进行了尖锐的批判。
The aesthetic relationship between art and reality is a basic question that the art and literary aesthetics can't evade, and to which we must supply a timely response.
艺术与现实的美学关系是文艺美学不可回避的基本问题，我们必须对此做出时代的回答。
An aesthetic is something that may be mistaken as an additional almost cosmetic layer to a design, but in our projects, the aesthetic is a clear response to problem solving.
美学很可能被误认为成一种附加在设计上的装饰层。但是，在我们的项目中，美学作为解决问题的一个十分清晰明确的回应。
In order to observe the aesthetic activities and response in the reading process, the theorists of reception-response put forward some models of reader.
接受美学学派为了考察读者的审美过程和审美感受 ，先后提出了各种各样的读者范型。
In response toe-mailed questions, he explained that the characters "in many ways represent the aesthetic philosophy behind my work."
在电子邮件回复中他解释道这两个形象“通过我的设计从多方面表现出美学与哲学的思考。”
In response toe-mailed questions, he explained that the characters "in many ways represent the aesthetic philosophy behind my work."
在电子邮件回复中他解释道这两个形象“通过我的设计从多方面表现出美学与哲学的思考。”
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