我们要学习鲁迅先生韧性的战斗精神。
这一题词是鲁迅先生的手笔。
鲁迅先生是五四时期女性解放的重要倡导者之一。
Mr. Lu Xun is an important initiator of female liberation during the May 4 Movement.
鲁迅先生的《风筝》是《野草》中较为独特的一篇。
Lu Xun's The Kite which lays emphasis on narration is a special writing in "Weeds".
鲁迅先生一生热爱美术作品,对版画中木刻兴趣尤甚。
Luxun had deep love for artistic works all his life, especially in woodcut of block print.
作家鲁迅先生发表了著名的第一篇白话文小说《狂人日记》。
Also the writer Lu Xun published the first, and justifiably famous, story in modern Chinese, Diary of a Madman.
其实,目的也就一个,去查找有关鲁迅先生的的作品或资料。
In fact, the aim will be one, to find out about Mr Lu Xun 's work or information.
我还注意到鲁迅先生当年为北京大学设计的校徽今天依然在使用。
I would also note that Lu Xun's design for the school crest of Peking University is still in use.
鲁迅先生,虽然并不急于回家,但也想象奥克利太阳镜的温暖。
Of Mr. Lu Xun, although not eager to go home, but also sunglasses Oakley imagined the warmth.
无情的地震和海啸,将鲁迅先生笔下这座森林之城袭击得满目疮痍。
Quakes and tsunamis, will be described by lu xun attacked the city of the forest was devastated.
《野草》展现了鲁迅先生的伟大人格,也展示了其超凡的艺术创造力。
WEED by Lu Xun reflects his great personality and his brilliant art creativity.
那时,鲁迅先生对我来说,具有着强大的吸引力,几乎所有有关鲁迅的书我都去读。
At that time, Mr. Lu Xun to me, has a strong appeal, almost all of Lu Xun's books I read.
不是使用鲁迅先生之拿来的原意,而是使用这个拿来作为一个引子来研究中国动画造型。
This article certainly USES the original intention which Mr. Lu Xun brings, but is USES this to bring achievement actor's opening words to study the Chinese animation modelling.
鲁迅先生的散文诗《雪》,包含了“暖国的雨”、“江南的雪”、“朔方的雪”三组意象。
The prose poem "snow" by Luxun consists of three groups of images_rain in the warm region, snow in the south and it in the north.
这群鲁迅先生文学作品集下或逛大街,或买菜……的看客,东晃晃,西晃晃,寻图着看新鲜事儿。
Lu Xun's literary works of these sets or Kumar Go to White Castle, or shopping … of the spectators, the East, West, looking for fresh look at the map thing.
《呐喊》、《彷徨》塑造了一系列女性形象,深刻反映了鲁迅先生对女性问题的关注和他的妇女观。
A series of female images portrayed in Outcry and Wandering reflects Lu Xun's concern over woman and his viewpoint of woman.
这正是鲁迅先生执着一生的“路漫漫其修远兮,吾将上下而求索”的思想个性与精神本质的具体写照。
This is right the portraiture of the individuality of this thought and the nature of his spirit in all his inflexible life.
也许,我的那些有关鲁迅先生的所有梦想都将化为一缕清烟,无声无息地消散,再消散,直至成为泡影。
Maybe, I about Mr. Lu Xun's all the dream will change into a curl of smoke, soundless and stirless away, then disappear, until a bubble.
好几天没写了,虽然有点忙,但也是自己没抓紧时间吧,因为鲁迅先生曾说“时间就像海绵,要挤…”?
I did not write for several days, although a little busy, but also did not lose his time, because Mr. Lu Xun once said, "time is like a sponge, to squeeze..."
诚然,爱孩子是父母的天职,但这种脱离了理智的爱只能称为“溺爱”,鲁迅先生将这种爱称之为“可怕的爱”。
Admittedly,it’s parents’ duty to love their children, but love totally devoidof rationaility is to spoil. Lu Xun, the father of modern Chineseliterature, ever refers to this as “the terrible love”.
冯雪峰从历次的经验教训中也更加感到了鲁迅先生思想的深刻和眼光的深邃,认识到了党内的一些错误倾向,自己也变得越来越成熟;
Feng Xuefeng felt Lu Xun's thought and judgment was profound, realized some wrong tendency of Party, and gradually became mature from the experience and lessons;
鲁迅先生完成了《呐喊》、《彷徨》两部现代题材小说创作之后,在继续开掘国民性负面因素的同时,企冀用历史小说的形式描绘“中国人的脊梁”式人物。
After completing his two novels "Cry" and "Hesitation" based on modern themes, Luxun attempted to depict the Chinese ridge beam characters as he continued to excavate the negative national factors.
鲁迅先生的白话小说非常注重炼字锤句,准确地选用叠词,注意声音的配合和语言的节律,充分发挥语言的协调美,提高了表达效果,增强了感染力和战斗力。
He selected the reduplicated words accurately, paied attention to the voices and language with the rhythm, and gave full play to the coordination of language.
太炎先生直称之理学杀人,鲁迅以后乃转为礼教吃人,只是话更说得具体活现罢了,意思原来还是差不多的。
Taiyanxiansheng straight termed Neo murder, Lu Xun is converted to Confucianism to eat people, but if more more specific vivid fills the meaning of the original or similar.
太炎先生直称之理学杀人,鲁迅以后乃转为礼教吃人,只是话更说得具体活现罢了,意思原来还是差不多的。
Taiyanxiansheng straight termed Neo murder, Lu Xun is converted to Confucianism to eat people, but if more more specific vivid fills the meaning of the original or similar.
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