基本上讲，就是用你的相机和镜头去控制照片中背景和前景关系的能力。
Basically, it is the ability to use your camera and lenses to control the relationship between the background and foreground of your pictures.
在公众渴望自由的背景下，我们这些拿着长焦镜头、装扮酷似好莱坞狗仔队的人，自然会遭到安全人员跟踪。
And the public's desire for freedom, of course, is why security agents were hunting us, snapping pictures with telephoto lenses fit for Hollywood paparazzi.
那些镜头里糟糕的发型，一团乱麻的背景，脏脏的脸，曝光过度，曝光不足，红眼，呆呆的表情——都是不完美的一部分，我们混乱生活的一部分。
Small moments with bad hair, messy backgrounds, dirty faces, overexposure, underexposure, red eyes, goofy faces - they are all part of this imperfect, messy life we live.
这些设备出现在两段镜头的背景中，一段是警察用警棍殴打NicolaFisher的腿部，另一段是警察用防暴盾牌击打AlexKinnane的脸部。
They are in the background of shots of Nicola Fisher, struck in the leg with a baton, and of Alex Kinnane, hit in the face with a riot shield.
T台上的背景影片展示了这些员工量衣和缝纫的慢镜头，而模特们则在前台展示着成衣。
A film in the backdrop showed these employees measuring, pinning and stitching in slow motion, as live models in the foreground cat-walked in versions of tailored suits.
所有内部镜头均在此车厢内被拍摄。隧道和车站内部的景象将稍后在计算机的帮助下被添加在绿色背景上。
All inner scenes are shot inside this car. Tunnel views and station interiors will be later laid on the green background with the help of computer.
然而，当沙滩上的女孩们奔向大海想去畅游时，罗森竟没有发现一个极其明显的穿帮镜头，背景里的高山显示出影片在加州拍摄，而非佛罗里达。
But when the girls in the band run across the sand for a swim, Ms. Rosen missed the mountainous backdrop, which reveals that the movie was shot in California, not Florida.
故事背景设置在二战时期，镜头不断在斯特拉和她儿子与路易的生活(参军并继承了爱尔兰的一处房产)间切换，路易是哈里森生活中的一个正值青春年华但索然无味的女孩。
Set during the second world war, Stella's story is intercut with the lives of her son (in the army and heir to an estate in Ireland) and Louie, a vapid good-time girl who crosses Harrison's path.
首先，你会发现如何分析每一个独特的镜头和背景颜色最好的电影和为什么。
First, you'll discover how to analyze each unique shot and which background colors work best to film on and why.
忽然有一天，一个街头拍客手中的镜头无意间捕捉到了我，我和身边人群成为了某个主人公的背景板。
Suddenly one day, a street shoot-off in the hands of the lens accidentally captured me, the crowd around me and become a hero of the background plate.
和冯•史登堡一样，王家卫总将他的演员置于特写和中景镜头中，背景是巴洛克建筑的细节，烟雾一直在空气中缠绕。
Like von Sternberg, he films his actors mostly in closeup and medium shot, with baroque architectural details in the background, with cigarette smoke constantly coiling through the air.
这也是最流行的肖像和时尚镜头，用来获取大头照和重点完全抛出任何背景影象的照片。
It is also one of the most popular portrait and fashion lenses, used to get great facial modeling and completely throw any background out of focus.
更让我疑惑的是，电影刚开始时遥晃的镜头，奇特的背景音乐，甚至是其不明确的主题，为何能打败《阿凡达》而成为今届奥斯卡的赢家？
Its shaking scene as it begins, the unique background music, even the unclear theme of the movie makes us confused: why did it get the Academy Award, instead of the popular "Avatar"?
这支电视广告的镜头先从水下聚焦四散奔逃的绿螃蟹，紧接着是一架商务飞机扶摇直上，离背景中的上海渐行渐远。
The video AD zooms in on a gaggle of green crabs scurrying around under the water, and then a corporate jet taking off with Shanghai in the background.
这是导演韩三平，他对每个镜头和每个背景细节要求都非常严格。
This is director Han Sanping, he is strict with every detail of the footage and setting.
该方法基于这样一个假定，即同一镜头往往具有相同的背景区域。
The method is based on the assumption that the same shots always have similar background area.
当背景和风俗创造横幅、用镜头从屏幕模拟器为指导那里的东西就会出现。
When creating custom backgrounds and banners, use a screen shot from the simulator as a guide to where things will appear.
在影片中，覃培军扮演了一位经历过煤窑塌方的幸存者，他拼命抓住每一个可能让他在镜头前露脸的机会，即使只是作为背景。
In the film, Qin Peijun, a survivor from a coal mine collapse, goes all out to seize every possibility to get his face in the lens of the camera, even if only as an extra.
阿特写镜头显示，尖侧壁的深层背景。
镜头动静结合用以介绍环境背景、交代时间空间、抒发人物情绪、推进故事情节等等。
Lens for introducing environment combining static background, metasomatism time space, to express the characters' emotions, promoting storyline, etc.
他善于营造一些场景式的镜头画面：一个宽大的背景，穿插点缀着一些作为主体的人和物，他们在这里作为一个炫丽因子演绎着画家一幕幕内心情境。
Ding Li is good at creating some setting-like camera scenes: a broad background, dotted with some men and objects as the subjects, mirroring the inner feelings of the artist.
使用PS镜头校正过滤器来调整透视和一些人工倾斜和扭曲，我这样我可以快速合理地创建混合背景材质。
Using Photoshop lens correction filters to adjust the perspective and some manual skewing and tweaking I was able to create the composite background texture reasonably fast.
电影的结尾是一个以暴风雨天空为背景的特写淡出镜头。
您将了解如何创建一个星球从全景图片，使用镜头校正过滤器，创建复杂的背景模式，和更多。
You'll learn how to create a planet from a panoramic picture, use the Lens Correction Filter, create complex background patterns, and more.
为了使景深获得较好的效果，我将特写镜头(镜头1 - 3)图片分离开来置于前景和背景图片中。
So I split the images of the close-ups (cameras 1-3) into foreground and background images to get better results when computing the depth of field.
为了使景深获得较好的效果，我将特写镜头(镜头1 - 3)图片分离开来置于前景和背景图片中。
So I split the images of the close-ups (cameras 1-3) into foreground and background images to get better results when computing the depth of field.
应用推荐