背景：在短篇、长篇小说、或叙事诗里面故事发生的时间和地点，它和人物通常会相互揭示。
Setting: the time and place in which the events in a short story, novel, play or narrative poem occur.
无论什么时候，只要著名女演员们聚在一起演绎一部“女性题材电影”，那毫无疑问里面准是一堆多愁善感的故事。
Whenever famous actresses get together to make a "woman's film" you can bet on an overload of sentimental mush.
你把更多的图像和信息带到你的故事里面来，你可以带来更好的报道。
You bring your story with more images all around and more information, so you are a better witness.
我喜欢讲这个故事，因为这里面的道理很简单，如果你是几百年前的一名金匠，你很可能就会变成一个银行家，这是自然而然的事。
I like to tell that story because it sounds obvious that if you were a goldsmith hundreds of years of ago you would have probably become a banker -it would just be the natural thing to do.
很不幸 《华尔街日报》已不再登载这些,在我看来,里面有一个有趣的故事
Unfortunately, The Wall Street Journal stopped carrying this and I thought--it's an interesting story about what goes on.
再看看这集关于怪物的故事。如之前所提到的，里面描写的射杀狗的情节有点沉重。
In terms of the monster story this episode, as previously mentioned, it was a little heavy on dog shootings.
我只不过想讲述自己的故事，里面有欢乐与悲伤、梦想与忧虑、胜利和挫折。
I've simply tried to tell the story of my joys and sorrows, dreams and fears, triumphs and failures.
我的其他作品，我认为，某种程度上更加安静，但是我总想接触一些大篇章的东西，那是我真正想写的，一副巨大的画卷般故事里面有各种各样的角色。
My other books were in some ways quieter, I suppose, but I was always headed toward something with a big canvas. That's what I really wanted to write, a big canvas story with lots of characters.
在一个迭代里面，不能完成大多数故事——太短的迭代周期可能引发交易成本。
We can't complete most stories in a single iteration - Having smaller iterations too might have transaction cost associated.
卡罗琳·马蒂尔德的故事是里面最详细的，而这就意味着她的兄长们会连续数章不见踪影。
The story of Caroline Mathilde is by far the richest, but it means that her brothers are lost from sight for chapters on end.
“我们的格言是把故事带进生活，所以通过这个电影和音乐的工作室，我们能够从一个不同的角度去了解什么是故事，”她说，“故事不仅仅在书里面。”
"Our motto here is to bring stories to life, so by having the movie and music studio we can really tap into a different Angle of what stories are," she said. "They're not just in books."
我曾听说个故事，讲一个人准备了两个鱼缸，每过一个周都会往其中一个里面放一颗玻璃球。
I heard a story of a man who set up two fishbowls and filled one with a marble for every week he has left to live.
他引用的是“登山宝训”的故事，里面说，建在沙上的房子会倒，建在岩石上的房子依然屹立。
He refers to the story from the Sermon on the Mount about how houses built on sand fall, while those built on rock remain standing.
通常，当我们说一个角色平淡时候，意味着作者对于这个角色的塑造在某方面失败了；然而，挺多好故事里面需要平淡的角色。
Often when we call a character "flat" we mean that the author has failed in some way; however, many good stories require flat characters.
在激战2里面有几个不同却又纠缠在一起的故事线。
There are several distinct, but intertwined, storylines in Guild Wars 2.
他们甚至把这个故事编进给小孩看的连环画里面。
因为那时的美国儿童文学大多还是说教式，目标受众为某个虚幻的读者——某个理想化的男孩或女孩，假定情境是他或她在看完故事后会立刻把里面的主角奉为榜样。
American children's literature in those days was mostly didactic, addressed to some imaginary reader—an ideal girl or boy, upon reading the story, would immediately adopt its heroes as role models.
朋友们能够帮助身边的每一位去完成他们的目标，而且这样做还可以看到在激战二这个游戏里面单人路线所没有的那些故事部分。
Friends can assist each other to complete their goals - and by doing so, see different parts of the Guild Wars 2story that they might not have seen in their own tale.
我不否认任何成功故事都有一些运气成分在里面，但是我要告诉你的是虽然我的职业生涯中交过那么几次好运，但是并不是因为运气我才成为Super Affilaite的。
There is a little bit of luck involved in any kind of success story. I could tell you several instances in my career where luck played a part; however, luck did not make me a Super Affiliate.
在这个网站上，你可以爬上一棵树，在一个弹出的书里面读到关于生物（名叫Yagi-Chan，一个穿着绵羊外套的山羊）的故事。
On this site, you can “climb” a tree and read stories in a pop-up book about creatures such as Yagi-Chan, a goat that wears sheep’s clothing.
我们一周（或当todo泳道空了的时候）才向里面放入新的故事，以此保证我们内部的长期的任务能够完成。
We only pull in new stories into the Todo lane once a week (or if it is empty) to ensure that the internal, intangible tasks are actually done.
同许多网络流行的故事一样，“FailWhale”的流行也有不少幸运成分在里面。
As with many Web-popularity stories, there’s a lot of flukiness to Fail Whale’s rise.
“记得你爸爸那天给我们讲的那个故事吗？”他尽量压低声音，但显得急躁起来，“那个德国童话里面的汉塞尔和格莱·特尔，记得吗？”
"Remember that story your Dad told us the other day," his whispering was becoming 13 frantic now, "the German one about Hansel and Gretel?"
如果把新故事带到下一个sprint里面去可以获得最大价值，那团队就不该有什么犹疑了。
If the maximum value can be derived by starting a new story and carrying it over to the next sprint then the team should not be reluctant to take this path.
如果把新故事带到下一个sprint里面去可以获得最大价值，那团队就不该有什么犹疑了。
If the maximum value can be derived by starting a new story and carrying it over to the next sprint then the team should not be reluctant to take this path.
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