诗的电影之于散文电影，正如现代电影之于经典电影，都是电影思维方式的革新。
As modern films to classic films, poetic film is a revolution of the thinking way in cinema.
在论文中帕索里尼第一次提出了“诗的电影”的概念，并将其与电影史上由来已久的散文电影相区分，认为诗的电影才是真正的电影。
On the essay, Pasolini posed the concept of poetic film for the first time and differentiated it from the prosaic film which he thought was not the real cinema.
在论文中帕索里尼第一次提出了“诗的电影”的概念，并将其与电影史上由来已久的散文电影相区分，认为诗的电影才是真正的电影。
On the essay, Pasolini posed the concept of poetic film for the first time and differentiated it from the prosaic film which he thought was not the real cinema.
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