电流密度和能量密度是设计玻璃电熔炉最重要的参数之一。
Current density and energy density is one of the most important parameters for designing the glass electric melting furnace.
在明确和乳白色的颜色设计玻璃砖添加丰富的触摸和他们随时可以在堆叠，无砂浆的设计。
Designer glass blocks in clear and opalescent colors add a rich touch and they're readily available in stackable, no-mortar designs.
但幸运的是，早期的工艺在19世纪中期得以复兴；艺术家们重新开始在设计中使用有色玻璃和铅条。
But luckily there was a revival of the early techniques in the mid-1800s and artists went back to creating colored glass and using the lead strips in their designs.
当然，彩色玻璃就是着色后切割成片，然后重新组装成一幅画或一个装饰设计的玻璃而已。
Stained glass of course is simply glass that has been colored and cut into pieces and re-assembled to form a picture or a decorative design.
他把玻璃分层，用薄铜片代替铅，这让他对彩色玻璃做了这些非常复杂的华丽设计，用在灯罩上。
He layered pieces of glass and used thin copper strips instead of lead, which let him make these really intricate flowery designs for stained glass, which he used in lampshades.
就是在你打算购买一辆汽车的时候，你所要花掉的大部分钱是用于汽车设计中所蕴含的知识，而不是金属和玻璃。
Even when you are buying a car, you are mostly paying for the knowledge embedded in its design, not the metal and glass.
普氏火柴的核心设计是，在微小的玻璃容器内装入硫酸，周围固定好其它所需化学物质，硫酸一旦释放，便能形成火焰。
The core of the promethean match was sulfuric acid in a tiny glass container which was surrounded by chemicals and materials calculated to burst into flames when the acid was released.
我们正在尝试更大胆的设计，或许完全改变品脱杯的形状，或许最终的成品会是一个截然不同的玻璃杯。
We could do something more radical, by looking at the whole shape and substance of the pint-- we could come up with something that is completely different to glass.
这件由希奥尔希奥·吉若尔利设计的玻璃纤维雕刻品顶端有一盏卤素灯，其下有一个不同寻常、通风良好的休息处所。
This fibreglass sculpture, designed by Giorgio Gurioli, is a halogen light on top and an unusual, well-ventilated resting place below.
科学家们设计了一个玻璃盒子，盒子里面装有水和沙粒，然后把一只活的剃刀蛤蚌放在里面。
Scientists set up a glass box with water and beads and stuck a living razor clam inside.
在Lenk的设计中，胶体布满了玻璃外壳，把LED产生的热量通过传导的方式往外传播。
In the Lenk design, gel fills the glass shell, transferring the heat from the LEDs outward, through conduction.
我们注意到设计师利用Rationale来解释使用固定在挡风玻璃上的传感器的原因。
Note that the designer captures a Rationale comment to explain his choice for using a sensor fixed on the windshield.
“我们试着用音量来击打玻璃上的”甜区“（受力点）”，位于明尼苏达州奥通纳的Viracon公司的建筑设计经理唐麦凯恩解释说，“我们的模型都是朝着普通大小来制作的。”
"We try to hit the sweet spots in terms of volumes," explains Don McCann, architectural design manager at Viracon Inc. in Owatonna, Minn. "Our business model is geared toward the common sizes."
意大利制造商Santambrogio Milano设计的个性十足的玻璃床。
Stylish bed designed by Italian manufacturer Santambrogio Milano.
的确，如今还有生产他设计的日本和纸灯笼(日本仍有加工)和家具(最著名的是玻璃和木制的矮桌)。
And indeed his paper lanterns (still manufactured in Japan) and furniture (most famously a glass and wood low table) are both still in production (and available in the museum shop).
在这个设计中，玻璃前厅里增设了多功能的家具，这些家具用玻璃纤维增强塑料织物做成。
At the middle of their design solution are multifunctional pieces of furniture made of glass-fibre reinforced plastic and fabric.
现在，零件都是电脑设计，由纤维玻璃和塑料制成，但是画图同样需要年轻的设计师。
Now, parts get designed on computers and built from fiberglass and plastic, but the draw is still the same for younger designers.
但有些专家称，该公司在其所有产品的照片下添加玻璃反射效果，这一做法并不值得广泛采用，因为这种设计元素早就已经用滥了。
But some experts say the company's habit of creating glassy reflections under photos of its products has been far too commonly copied, turning the style element into a cliche.
甚至连建筑设计的本质也发生了改变，最明显的例子或许就是烟色玻璃幕墙的摩天大楼现在几乎成为每个大城市的点缀风景。
Even the nature of architectural design changed, with perhaps the most conspicuous example being the smoky glass-clad skyscrapers that now dot almost every big-city skyline.
另一些设计者则在考虑使用不同种类的玻璃。
外部设计在木构架后采用了透明玻璃和磨砂玻璃。
Transparent and frosted glass is used in the external design behind the wooden constructions.
一个玻璃装配系统和一个水池设计进去以缓和-反射和冷却藻类繁荣生长所需要的阳光。
A glazing system and water pool are incorporated into the design to mitigate - reflect and cool - the sunlight the algae need to thrive.
我选择了吉姆·波尔谢克及其公司作为建筑设计师，主要是因为他设计了纽约的专门展示地球与太空历史的玫瑰中心，一个钢筋玻璃的建筑里飘浮着巨大的球体。
I chose Jim Polshek and his firm as my architects, largely because of his design for the Rose Center for Earth and Space in New York, a huge glass-and-steel structure with a massive globe inside.
我选择了吉姆·波尔谢克及其公司作为建筑设计师，主要是因为他设计了纽约的专门展示地球与太空历史的玫瑰中心，一个钢筋玻璃的建筑里飘浮着巨大的球体。
I chose Jim Polshek and his firm as my architects, largely because of his design for the Rose Center for Earth and Space in New York, a huge glass-and-steel structure with a massive globe inside.
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