• 出现故障时通过一个命令备用系统角色切换为主系统角色

    In the event of a failure, the standby's role can be switched to primary with a single command.

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  • 它们动态地角色内部切换外部反之亦然响应使用服务资源活动组织控制更改

    They dynamically switch their role from internal to external, and vice versa, in response to changes in the organizational control of resources and activities of consumption service.

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  • 一旦习惯这些角色来回切换就会相当轻松

    Once you get used to these roles, switching back and forth happens rather freely.

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  • 如图8所示,可以通过切换WBS中的TeamAllocation选项卡来查看过程相关角色

    As shown in Figure 8, you also can view the roles associated with the process by switching to the Team Allocation TAB in the WBS.

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  • 指定角色mgr_r中的进程可以切换角色cashier_r中的有效上下文

    Specifying that a process in role mgr_r may switch to a valid context in role cashier_r. But there is no line.

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  • 故事情节串联板通过动画镜头时间长度,角色镜头内动作,镜头数量及如何切换元素的指示来控制着动画步伐

    Storyboards dictate the pace of the animation by determining how long each shot is, what the character does in that shot, how many cuts there are in a scene, and so forth.

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  • 同时一个不和特雷西珍娜切换角色确定生活艰难的;

    Meanwhile, a feuding Tracy and Jenna switch roles to determine whose life is harder;

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  • 包围着这个区域新近发现结构(红色)则扮演温度计角色可以告诉研究人员们忆阻切换在哪里发生,以及温度究竟能达到多少

    Surrounding this region a newly developed structural phase (red) was also found, which acted like a thermometer telling researchers where and how hot it became.

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  • 我们意图允许猎人切换宠物队伍特定角色缺席带来的空缺。

    The intention is to allow the hunter to be able to swap pets and fill a position if a certain role is missing from the group.

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  • 角色npc交谈时,游戏自动切换角色高亮界面模式这次又要大教堂营救凯恩

    When talking to NPCs, the game appears to switch to an interface that highlights the character model. Have to rescue Cain from this cathedral.

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  • 注意导演是如何选择客观视角切换到到主观视角时间-------两个角色都看相机时,即角色对视时候。

    Note how the director chooses specific moments in the film to switch from an objective point of view to a subjective point of view by having both actors looking straight at the camera.

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  • 注意导演是如何选择客观视角切换到到主观视角时间-------两个角色都看相机时,即角色对视时候。

    Note how the director chooses specific moments in the film to switch from an objective point of view to a subjective point of view by having both actors looking straight at the camera.

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