中国古代美学与当代西方美学并不是完全对立的。
Aesthetics in ancient China is not completely antagonistic to contemporary aesthetics in the West.
当代应用美学作为学科形态和实践产品是西方消费社会的产物。
The contemporary applied aesthetics, both as subject modality and practice product, is the consequences of Western consumption society.
“艺术终结论”随着丹托的著作被译成中文，成为当代西方美学与艺术理论界的热点话题之一。
With Danto's works being translated into Chinese, "the End of art" has become one of the pop topics in the circles of western aesthetics and artistic theory of the time.
借助中国传统艺术视角与西方当代艺术视角展望社火艺术的美学价值。
With the traditional Chinese art with Western contemporary art perspective view of the prospect's community fire arts aesthetic value.
“艺术终结论”随着丹托的著作被译成中文，成为当代西方美学与艺术理论界的热点话题之一。
With Danto s works being translated into Chinese, "the End of art" has become one of the pop topics in the circles of western aesthetics and artistic theory of the time.
朱光潜《西方美学史》与中国当代美学知识生产之间有着密切的历史联系。
The historical relation between the Western Esthetic History of Zhu Guangqian and the production of the knowledge on contemporary esthetics of China is the core topic of this article.
在第二章，我们主要探讨后实践美学中的审美超越理论对西方当代哲学美学的借鉴和吸收。
Chapter two mainly discuss, in post-practical aesthetics, aesthetic transcendence theory's using and drawing on experience of western contemporary philosophical aesthetics for references.
在第二章，我们主要探讨后实践美学中的审美超越理论对西方当代哲学美学的借鉴和吸收。
Chapter two mainly discuss, in post-practical aesthetics, aesthetic transcendence theory's using and drawing on experience of western contemporary philosophical aesthetics for references.
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