尤内斯库视死亡为最可怕、最荒诞的事。
Ionesco regards death as the most frightening and absurd event.
他们的死亡是对这个荒诞世界的抗争，是为了唤醒芸芸众生，同时自己也获得了安宁和重生。
They tried to struggle against this absurd world and wake up all mortal beings by deaths, at the same time they got their own peace and rebirth through death.
只有死亡可以震撼人的虚伪和冷漠并超越精神栅栏和荒诞的现实。
Only death can shake hypocrisy and indifference and transcend spiritual bars and absurd reality.
无疑这是来自死亡边界中的荒诞叙述，也是对生命活动之可能性和意义性存在的极限式拷问。
Undoubtedly this comes from the fantastic narration at the death border, torture the possibility of the life activity and meaning limit type existing too.
反与正》表现了年轻的加缪对死亡的最初体认，突出了人类对死亡的恐惧和对荒诞的发现。
Betwixt and Between showed the early experience of death, emphasized the frighten of death and discovery of absurd.
反与正》表现了年轻的加缪对死亡的最初体认，突出了人类对死亡的恐惧和对荒诞的发现。
Betwixt and Between showed the early experience of death, emphasized the frighten of death and discovery of absurd.
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