在荒诞的世界中，人存在的意义变得虚无。当人们清醒地认识荒诞时，荒诞就开始了。
In the absurd world, nothingness is the nature of human's existence, so when they know the absurd consciously the real absurd begins.
第二章从具体文本入手，主要分析了这两部小说所展现的社会的荒诞，以及人们在荒诞的世界中的遭遇。
Chapter two analyzes the absurdity of society in the two novels, and the suffering of people in such an absurd world by a close reading of the novels.
当我以自身所特有的方式去表现自己时，荒诞的世界给予我存在的痕迹，回到生命最初的原点「身体」。
When I present myself with my unique way, the absurd world reveals the marks of existence.
这是一个看似荒诞的故事，但在我们身边的世界，每时每刻都在发生着类似的故事。
This looks like an absurd story; while in the world around us, similar stories happen at all time.
使用巨蟒和马格利特荒诞绘画刺激想法，就像卡夫卡的短篇故事一样，是为了他们解决对解决世界挑战的看法。
The idea of using absurdist stimuli like Monty Python and the Magritte painting is that, like Kafka's short story, they challenge our settled perceptions of the world.
组织方表示，这样怪异的场景是为了给这个世界增添更多的诙谐荒诞，为大家提供一些笑料。
Organisers say the bizarre spectacle is to promote more silliness in the world and give people something to laugh at.
这些笑话产生于荒诞而粗暴的社会，世界如果没有了它们将会很无趣，不过现在的俄罗斯人好歹开心许多。
The world would be a poorer place without the jokes sparked by ridiculous yet ruthless rulers. But Russia would be a lot happier.
离开壮丽的漫画书和荒诞电影的世界，假以盖伊·福克斯之名是否真的是个好办法呢？
Outside the world of sublime comic books and ridiculous films, is it really such a great idea to identify with Guy Fawkes?
他的想法蔓延到了生活当中，混乱的现实世界和荒诞的幻想向观众展现了一个爱情故事，也是对现代消费方式的一次生动批判。
His thoughts spill out into everyday life, blurring reality with grotesque fantasy to present a love story - and a vivid critique of modern consumption.
本文试运用存在主义哲学理论，从人与世界、人与他人及人与自我三个方面来解读这部荒诞派戏剧的经典剧作。
By applying existentialist theories from three aspects: man and the world, man and others, as well as man and self.
莫尔索的悲剧命运揭示了世界的荒诞。
Mersaul's tragedy fate have revealed the preposterousness of the world.
晚期思想极端化，形成了基于不确定性原则的不可能的交换，以“无”来重构世界存在的要素和背景，形成了荒诞玄学。
Thirdly, based on the uncertainty rule, Baudrillard constructed the impossible exchange to form metaphysics, which deconstructs the elements and background of the world.
因此，本文试图以这四篇小说为例，剖析卡夫卡笔下的荒诞世界。
Therefore, this paper tries to take these four novels for example to analyse the fantastic world in Kafka's novels.
哈克和哈利告诉人们，荒诞的现实世界中自由选择是走出危机解放自我的信念之路。
Huck and Harry tell us one can come through the world of absurdity by making his free choice.
他们的死亡是对这个荒诞世界的抗争，是为了唤醒芸芸众生，同时自己也获得了安宁和重生。
They tried to struggle against this absurd world and wake up all mortal beings by deaths, at the same time they got their own peace and rebirth through death.
这种区别分别从创作的目标指向、假想的虚拟世界、故事的要素特征、荒诞的审美效应等方面表现出来。
But there still exists difference between these two, such as creation target directing, imaginary subjunctive world, story element characteristic, incredible aesthetic effect and so on.
荒诞派戏剧是世界文坛的一个重要组成部分，它以其独特的艺术形式赢得了不朽的文学地位。
The fantastic play is an important component in the world literature circle, which occupies an immortal literary position for its unique artistic form.
第二节则从虚无与荒诞的关系出发描述了新写实小说所流露出的对世界和人生的荒诞感。
But second section from nihility with the fantastic relation sets out newly to describe realistic writing novel shows unintentionally the fantastic sense to the world and life.
《等待戈多》的形式是荒诞的，但其主题是以二战后西方世界复杂的社会背景和深重的精神危机为基础的。
The form of Waiting for Godot is grotesque, but the subject matter is based on the complex social background and deep belief crisis of the post-war Western world.
它强调世界的荒诞性，人生的虚无性。
It emphasizes the absurdity of the world and the nihility of human life.
他用看似荒诞不经毫无意义的诗行展示他看待世界的独特视角，记述他所处时代的社会状况，表现他对维多利亚时代做作风尚的反抗。
With nonsense verse, he demonstrated his unique world view, recorded the social situation of his time and displayed his objection to the Victorian seriousness and portentousness.
第三章，主要介绍西方现代绘画是如何图解人和世界的存在的“荒诞”，其中对梦的表达的分析有着新鲜认知。
Chapter III, focusing on the revelation of modern western painting how to express the "fantastic" of the existence of people and world, in which have a new cognize on the analysis of dream in works.
小说对土司世界的愚昧蛮野的描写揭示的是人类社会的荒诞混乱。
The description of the wild ignorance and cruelty of the tribe chiefs' society has acidly exposed the absurdity and chaos of the human society.
莫泊桑的短篇小说《项链》构成了一个隐喻的世界，在这个世界中，主人公玛蒂尔德从自欺走向自我救赎，但救赎却是以荒诞结束。
The Diamond Necklace, a short fiction written by Maupassant, is a world of metaphors. In the story, the protagonist Mathilde shifts from self-deception to salvation but ends up with absurdity.
20年前令世界惊叫的惨剧，在历史的固有逻辑下，虽然荒诞不经，却是必然。
Though preposterous, the massacre happened 20 years ago was an inevitable result of social in the history of the inherent logic.
这或许是因为在过去这半年里，哪怕是再荒诞不经的谣言、设计模型或是愿望清单，都会引得世界各地的媒体争相报道。
Pretty hard. ) That's probably because, over the last six months, media outlets everywhere gave voice to even the most outré rumors, design mockups, and wish lists.
这或许是因为在过去这半年里，哪怕是再荒诞不经的谣言、设计模型或是愿望清单，都会引得世界各地的媒体争相报道。
Pretty hard. ) That's probably because, over the last six months, media outlets everywhere gave voice to even the most outré rumors, design mockups, and wish lists.
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