面对这一局面，艺术理论界发出了“艺术的终结”和“绘画死亡了”的惊呼。
In the face of this situation, the circle of theory of art has sent out the screams of "the end of art" and "the death of painting".
艺术不会终结，艺术的终结恰恰是艺术新生的起点，艺术的黄昏则是艺术黎明的前夜。
The end of art is a fresh start of a new life of art, while the dusk of art is right before the dawn art.
我的意思不是大家将不再去制造艺术和写论文了，《艺术的终结》我想是在1984年出版的。
I didn't mean that people weren't going to go on making art and the paper, the End of art, was published I think in 1984.
应用数码形式不会是传统插图艺术的终结和颠覆，这是由形式手段服务于内容和艺术本质决定的。
The application numerical code form cannot be the traditional illustration art end and the subversion, this is serves by the form method in the content and the artistic essence decides.
艺术形式别开生面，因此，通过对印象派的再认识，我们可以说印象派是传统艺术的终结，现代艺术的源头。
There was a new feature in art expression, as a result, through the rediscovery of impressionism, We can say impressionism is the termination of traditional art, and the origin of modern art.
不管是为了美学本身，还是为了对社会进行描述，我们都知道艺术肯定会一直继续下去直到世界的终结。
Whether for beauty alone, or for social commentary, art will surely continue to endure until the end of the world as we know it.
这十年标志着新艺术主义(1851- 1914)和现代建筑(名匠式风格)的终结。
This decade marked the ending of Art Nouveau (1851-1914) and Modern Architecture (check out Craftsman style).
不过，这是不是就意味着当代艺术品的天价时代已经终结了呢？
But does this mean that the days of obscene prices for contemporary pieces are behind us?
我认为不可；云谲波诡太过了；定义用得有点创意，可取；我那个译法“信”是要好一点，但“雅”显不足；）------是那个徜徉在艺术殿堂里，肆意作曲的完美主义者，还是那自出现起，便标志着伯克式的骑士时代终结的天生诡辩家、经济学家和预测家（有点启示性，或许你要准确些）？
Or was he more naturally one of the sophisters, economists and calculators whose rise marked, for Edmund Burke, the passing of the age of chivalry? Was he by temperament a dissenter?
他长期以来保持着对文明终结的艺术性想象，这是一种情感和精神的宣泄形式，并以此表达自我。
He continues a long-standing artistic tradition of imagining the end of civilization, a form of emotional and spiritual escape valve operated since man found a means to express himself.
文学独领风骚时代确已成为历史，以图音为载体的“影像艺术”正在逐渐称霸，但文学永远不会终结。
The era that literature was leading the way has become history, and the "image art", using picture and sound as carriers, is becoming the domination, but literature will never ever come to an end.
直到他生命的终结，尽管困难重重，总的来讲，他依然热爱他的故乡，酷爱他的艺术和生活。
To the end of his life he remained passionate about his homeland, his art and life in general-despite the hardships.
雅克·德里达文学终结论的预言并不新鲜，在西方美学界早就有人提出过艺术终结论。
The prediction of literary ending given by Jacques Derride is not fresh, in western aesthetic fields, the end of art has been offered before.
创造的重压将得以终结，艺术将不再惹人讨厌，其功能将是纯粹的庆典。
The stress of creation would be at an end. Art would no longer be troubling, but purely celebratory in its functions.
艺术起源、艺术流变、艺术终结和艺术复兴等，是艺术史研究中的诸多重要命题。
The origin of art, the change of art, the end of art, and the revival of art are the propositions of art history study.
《诗经》中的兴象依附于上古诗者的认知方式而存在，并随认知方式的演变而演变。认知思想的终结即是艺术形式的终结。
The form in the Book of Odes exists relying on the way of cognition of ancient poets and it develops with the evolution of the way of cognition.
引言部分主要概括艺术终结思想的影响与研究意义，艺术终结研究在我国的研究现状及本文的研究思路、方法等。
The introduction mainly summarized the impact and the research significance of the End of Art, its situation of study in China and the ideas and methods in this paper.
然而，随着艺术终结、绘画-死亡的喧嚣在西方艺术界中一浪高过一浪，中国艺术家开始主动回归自身的传统进行自我救赎。
Yet, as the claim of the end of art and the death of painting surges in the western art world, Chinese artists began to return to their own tradition for salvation.
艺术终结作为现代的产物，它与艺术体制合法性危机有关。
As a modern product, the End of art is related to the artistic crisis of the institutional legitimacy.
“艺术终结论”随着丹托的著作被译成中文，成为当代西方美学与艺术理论界的热点话题之一。
With Danto's works being translated into Chinese, "the End of art" has become one of the pop topics in the circles of western aesthetics and artistic theory of the time.
艺术终结的提出表征艺术体制的演变。
The End of art represents the evolution of the arts 'institutions.
自黑格尔在柏林的美学讲演中提出艺术终结以来，西方艺术、美学领域对这个问题的关注就没有停止过。
Since Hegel proposed the End of art in his aesthetics lecture in Berlin, the concern with this topic has never stopped in the area of western art and aesthetics.
因此，了解丹托的“艺术终结论”必须把它放在丹托的艺术哲学思想中来思考。
Therefore, the understanding of Danto's "the end of art theory" must be put in Danto's philosophy system.
当新兴艺术实践完全突破了艺术体制的限制时，艺术体制的合法性面临着被解构的危险，艺术终结也就被提出。
When the new art practice completely break the limits of art institutions, art legitimacy of the institutions is facing the danger of being deconstructed, the End of art has also been proposed.
结论部分指出当代艺术不仅没有因理论家宣称艺术终结而终结，反而焕发出新的生机。
The conclusion pointed out that the modern art wouldn't end because of the end of art proposed by theorist, but would glow the vitality and the vigor.
“艺术终结论”随着丹托的著作被译成中文，成为当代西方美学与艺术理论界的热点话题之一。
With Danto s works being translated into Chinese, "the End of art" has become one of the pop topics in the circles of western aesthetics and artistic theory of the time.
壁画作品在壁画创作与公众期待视野之间距离的产生、延伸与终结的过程中实现着自身的艺术价值取向。
Mural creation should realize its art value in the process of the distance' occurrence, enlargement and ending between mural works and the public's expectant field of vision.
一时间黑格尔的“艺术终结”论在时隔两百年之后几乎在世界范围内产生了巨大的回响，成为了当下理论界讨论的一个热点话题。
So the view of art's determination of Hegel relived after 2 century all over the world, at the same time, it became a pop topic in realm of art and literature.
1982年丹托的“艺术终结论”发表以后，产生了巨大的影响，直到21世纪，仍然是美学的前沿话题。
After Danto's "end of art theory" was published in 1982, it had made a lot of influence and still is the forefront of aesthetic topics until the 21st century.
1982年丹托的“艺术终结论”发表以后，产生了巨大的影响，直到21世纪，仍然是美学的前沿话题。
After Danto's "end of art theory" was published in 1982, it had made a lot of influence and still is the forefront of aesthetic topics until the 21st century.
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