弗罗斯特是我最喜欢的诗人之一。我认为弗罗斯特很有趣，因为他是一个很受欢迎的诗人。
Frost is one of my favorite poets. I think Frost is interesting because he's a poet who is very popular.
智能机器公司的发言人罗伯特·弗罗斯特说，这个项目取得了巨大的成功。弗罗斯特说：“我对于孩子们对比尔的反应很感兴趣。”
The program has been a great success, according to Smart Machines spokesman Robert Frost Frost says, "What is interesting to me is the children's reaction to Bill."
这个大受欢迎、旧式的弗罗斯特和那个精英的、现代的弗罗斯特——这些角色指出了诗歌在这一时期在观众中明显出现的分歧。
The popular, old-fashioned Frost and the elite, modern Frost—these roles point to a division in the audiences for poetry that emerges clearly in this period.
谢谢你，弗罗斯特，你给我们送来了这个。
在一些记录中，弗罗斯特说：“或者有人会给予你。”
In some recordings, Frost says, "Or somebody will provide for you."
在弗罗斯特和他们的观点看来，人们被自身给束缚住了。
People are locked into themselves in Frost and in their points of view.
从某种角度看，大卫·弗罗斯特先生已经开始写自传，这有点可笑。
Looked at one way, it is faintly ludicrous that Sir David Frost should be writing his autobiography already.
这是一首写在大萧条最严重的时候的诗，也是在弗罗斯特最有名的时候。
This is a poem written in the depth of the Depression and also at the height of Frost's fame.
看看历史上许多的文化符号，你会在那里找到《冰雪奇缘》中弗罗斯特的祖先。
Look to many of history's cultural symbols, and there you'll find an ancestor of Frosty, the snowman in the movie Frozen.
作为九人乒乓球队的一员，朱迪·霍尔弗罗斯特从美国被派往中国时，只有15岁。
Judy Hoarfrost was just 15 years old when she was sent from the US to China as part of a nine-member table tennis team.
报名时间是9月2日至3日的6点到9点，地点在弗罗斯特音乐厅。
Registration is on the second and third of September, between 6 and 9 in Frost Hall.
从某种意义上说，它开始于照搬或者带我们重返最初弗罗斯特去波士顿北部的时候。
It begins by, in a sense, rehearsing or taking us back to Frost's own initial move to the north of Boston.
在弗罗斯特的作品中，事物不是“虚构的”，不是想象中的“虚构”，而是凭空虚构出来的，就像仙女和精灵一样。
Things are not "made up" in Frost, not "made up" in the sense of imagined, but called up out of thin air, like fairies and elves.
霍尔弗罗斯特认为，我们应该记住乒乓外交，从而理解人文交流在建立人与人之间的纽带方面的重要性。
Hoarfrost thinks we should remember ping-pong diplomacy in order to understand the importance of people-to-people exchanges in establishing human bonds between peoples.
我们阅读过的所有诗人，包括新英格兰的乡巴佬罗伯特·弗罗斯特，都在大都会的中心开始了他们的职业生涯，主要是在伦敦和纽约。
All of the poets we read, even that New England hayseed Robert Frost, begin their careers in metropolitan centers, primarily in London and New York.
弗罗斯特认为，孩子们并不像老年人那样觉得被智能机器教东西很奇怪，因为他们成长在一个电脑和智能手机的时代。
Frost thinks kids don't find the experience of being taught by smart machines as strange as older people because they have grown up in a time of computers and smart phones.
在弗罗斯特的诗里，没有上帝，没有卓越的指引和安慰，这个世界里什么都没有，除了我们生活环境的物质条件。
There is in Frost no God, no transcendental source of guidance or consolation, nothing out there in the world but the material conditions of our circumstances.
我觉得你们对弗罗斯特都有一定的印象，当想到这个诗人的时候脑海就会浮现他的图像。
I imagine that you all have images of Robert Frost and actual images in your mind when you think of this poet.
谢谢你弗罗斯特，你直接告诉了我们。
这个诗人，弗罗斯特，终究还是受制于地心引力，受制于地球的力量。
The poet, after all, is subject to gravity in Frost, to the force of the earth.
用弗罗斯特的话来说，他们就是这样的人——当你想进去，就一定会接纳你。
In Frost's words, they are the people who, when you have to go there, they have to take you in.
弗罗斯特，当他去波士顿北部时，回到那个国家，某种意义上来说，走进，和美国人完全相反的方向。
Frost, when he goes north of Boston, goes back to the country, goes in, in a sense, the opposite direction that America is going.
弗罗斯特给我们的困难是翻译，是使人不发问这样的问题，“他到底要说什么？”
The problems that Frost poses are problems of interpretation, - problems that provoke you to ask not, "what does he mean exactly?"
他在朋友罗伯特·弗罗斯特的影响下写诗。
He begins writing under the influence of his friend, Robert Frost.
这也是弗罗斯特的另一种双重写照。
这些人需要用一代代传下来,的工具或者自己制造的工具，弗罗斯特所写的这些人的贫穷非常重要。
What these people have to work with are the tools that have been passed down to them, The poverty of the people Frost writes about is important.
“那是用来当做参照物的，帮助我们了解詹纽瑞，或者说艾玛·弗罗斯特，看起来应该是什么样子，”他说。
"That was used as reference to help us define how January, or how Emma Frost, should look, " he says.
换句话说，弗罗斯特知道怎么使用格律。
换句话说，弗罗斯特知道怎么使用格律。
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