新生代电影认同巴赞、克拉考尔纪实美学的主张，创作中拒绝作出任何带有主观色彩的批评与暗示。
New generation movies inherit the on-the-sport esthetics propositions by Bazan and Clarkl and refuse to make any objective criticism and hint.
1994年以《九·一八大案纪实》和《西部警察》为标志，中国警察影像的纪实美学完满形成并达到高点。
In 1994 a documentary of September 18th Case and the Western police marked both the establishment and the peak of documentary aesthetics in Chinese videos about the police.
而纪实主义电影美学理论的重要理论源流就是现象学现实主义。
The aesthetic theory on which the documentary film is based can be categorized as the phenomenological realism.
它们属于纪实性美学形态，也构成了张艺谋第二阶段的主要艺术追求。
They belong to documentation esthetics modality , also constitute ZhangYimou's main art pursuit for second stage.
影视声音的造型元素由于电影电视纪录媒介的属性以及自身的纪实化功能，在艺术创作中必然要遵从纪实化的美学原则。
The sculpture of sound element in movie and TV art has to obey the thought of factualistic documentary aesthetics because of its own documentary attribution and function.
电影在纪实之外还存在“奇观本性”，电影美学是写实主义和技术主义历时性与共时性的统一。
Film has the function of "the wonder natural instinct", except for record. Film aesthetics is made up of the realism and the technological doctrine.
电影在纪实之外还存在“奇观本性”，电影美学是写实主义和技术主义历时性与共时性的统一。
Film has the function of "the wonder natural instinct", except for record. Film aesthetics is made up of the realism and the technological doctrine.
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