秦腔的特色主要是由秦腔的语言风格决定的。
Qin opera feature is mainly the language from the Shaanxi opera style of decision.
贾平凹的《秦腔》正表达了这种无望的精神回乡。
Jia's Shaanxi Opera expresses a hopeless spiritual return to the hometown.
它的唱腔、剧目、服装、表演等方面均与秦腔程序相同。
It's singing, drama, costumes, performances, etc. are the same with the Shaanxi Opera.
在艺术工作方面，不但要有话剧，而且要有秦腔和秧歌。
In the arts, we must have not only modern drama but also the Shensi opera and the yangko dance.
四川省流行著的戏曲是川剧，而陜西等省区盛行的曲调则是秦腔。
Sichuan opera is popular in Sichuan Province, while Qingqiang is popular in Shanxi Province.
秦腔虽然在西北地区备受欢迎，但是他并不被其它地区的人们所接受。
Qin Opera Although popular in the Northwest region, but he was not being accepted by people in other parts of.
具体上写实，总体上象征，是贾平凹新作《秦腔》采用的重要艺术手法。
Concrete realism and overall symbol is the important artistic technique of "Qin Qiang", Jia (Pingao's) new work.
秦腔是流行于西北地区的一个古老剧种，作为我国戏曲大花园中独树一支的奇葩。
The Shaanxi opera is popular in the Northwest region, an ancient theatrical form, as China's unique position among a large garden opera of wonderful work.
贾平凹在长篇新作《秦腔》中的清风街为我们提供了西部农村社会现实的一个范本。
The village Qingfengjie in JIAa Ping-wa's "The Voice of Qin" is a model of the countryside social reality in west China.
在去剧院看正式的秦腔演出之前，我先了解那些故事和剧中人物，这样就能理解表演。
Before going to formal performances in the opera houses, I studied the stories and characters so that I would understand the action.
秦腔简谱和锣鼓经是《秦腔》重要的意义符号和形式符号，其隐喻含义是传统农耕文化。
Shaanxi Operas numbered musical notations and gong and drum scriptures are the important symbols of meaning and form, which imply the traditional agro-farming culture.
秦腔的角色行当传统上分为四生、六旦、二净、一丑，各有自己完整的唱腔和表演程序。
The roles of Qinqiang Opera are traditionally made up of four males, six females, two painted faces and one clown, each having a complete tone and procedure of performance.
据悉，《百合花开》是此次参演2008第四届中国秦腔艺术节的全省两台精品剧目之一。
It is learnt that the "open Lilies" is the fourth exercise in 2008 China province of Shaanxi Opera Art Festival one of two fine plays.
贾平凹的《秦腔》是难以让人一口气读完的一部书，但这并不影响人们对它的喜爱和称道。
Jia Pingwa's Qin qiang is a book that makes it hard for the reader to finish it at once, but this does not influence the love and praise of the readers for it.
其实，早在80年代初，他的《秦腔》就已经实践了文化意义上的超越，步入了“大散文”的境界。
In fact, at the beginning of the 80s, his Qinq-Qiang had achieved the transcend of the culture meanings and stepped into the big prose realm.
它是在徽戏和汉戏的基础上，吸收了昆曲、秦腔等一 些戏曲剧种的优点和特长逐渐演变而形成的。
It is the emblem of Chinese opera and drama, based on the absorption of the Opera, Shaanxi and some other operas evolving strengths and expertise formed.
其原因是秦腔的豪放、悲壮、哀伤等特点决定了它只能迎合西北民众的心理，其它地区的人们则未必能适应这种风格。
The reason is that Qin Opera's bold, tragic, sad and so decided it could only cater to people in north-west psychology, people in other areas will not be able to adapt to this style.
它同样从其它戏曲和音乐艺术中吸取了音乐和唱腔，比如历史上著名的秦腔，同时也受了在宫廷艺术方面领先于它的昆曲的影响。
It also absorbed music and arias from other operas and musical arts such as the historic Qinqiang as well as being very strongly influenced by Kunqu, the form that preceded it as court art.
用简谱和锣鼓经把秦腔音乐写进小说，将时间艺术溶进符号艺术之中，以揭示性格、暗传情绪、营造氛围、凝聚秦人秦地的生命呐喊和文化魂脉，是《秦腔》的一个创造性探索。
It is a creative trial of the Jia Ping′ao′s novel titled "Qin Opera" that the music of Qin opera is written into a novel with numbered musical notations and classics of gong and drum;
用简谱和锣鼓经把秦腔音乐写进小说，将时间艺术溶进符号艺术之中，以揭示性格、暗传情绪、营造氛围、凝聚秦人秦地的生命呐喊和文化魂脉，是《秦腔》的一个创造性探索。
It is a creative trial of the Jia Ping′ao′s novel titled "Qin Opera" that the music of Qin opera is written into a novel with numbered musical notations and classics of gong and drum;
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