通过不规则和不对称来控制组合的平衡，是禅宗美学的中心思想。
The idea of controlling balance in a composition via irregularity and asymmetry is a central tenet of the Zen aesthetic.
本文认为禅宗美学是建立在禅宗思想基础之上的智慧美学。
This paper holds a view that Dhyana sect aesthetics is a kind of intelligence aesthetics that basing on the ideology of Dhyana sect.
本文尝试从另外一种角度，即禅宗美学的特质和中国书法艺术的内在理路的相通之处去研究。
This article attempts to understand it from another angle, namely from the intrinsic logic of the special characteristic of the Dhyana esthetics and the Chinese calligraphy art.
并以日本禅宗园林为例，分析了其禅宗美学特征，提出了禅宗美学对于当代园林设计的启示。
With the example of Japanese Zen garden, the characteristics of the Zen aesthetics are analyzed, and the inspirations of Zen aesthetics to modern landscape design are put forward.
禅宗美学的理念在传统日式园艺中有所体现，比如说，尽管很多人都不知道，这些理念对我们有很多经验教训。
The principles of Zen aesthetics found in the art of the traditional Japanese garden, for example, have many lessons for us, though they are unknown to most people.
在终极意义上，审美是一种自我同一性体验。古代中国的道家和禅宗美学是如此，现代西方的马克思美学也是如此。
In the ultimate sense, appreciation of beauty is a kind of experience of transcending limitation, so is the ancient Chinese aesthetics of Dao and Buddhism as well as Western aesthetics of Marxism.
乘着禅宗的双翼，中国古典美学进入了艺术心理学时代。
Riding on Zen's wings, the Chinese classical esthetics entered the artistic psychology age.
有一种与禅宗佛学密切相关的日式美学，名为侘寂，它主张接受不对称和不完美，知道这些是生命的无常和衰变的迹象。
Wabi sabi, the Japanese aesthetic philosophy closely tied to Zen Buddhism, insists upon asymmetry and imperfection, aware that these are signs of life's impermanence and decay.
禅宗作为移植自印度佛教古树的中国奇葩，其所蕴含的丰富美学内涵深刻地作用于中国美学史。
Zen, a rare and beautiful Chinese follower transplanted from the Indian Buddhism old tree, contains the rich esthetics connotation which acted on the Chinese esthetics history profoundly.
禅宗所体现出的美学思想与中国传统诗歌之间的关系，指出诗歌最终吸取了禅宗“空”观的美学意义，而创造出空灵剔透的中国诗歌意境。
The relation between Zen and the traditional poems of china indicates that the poem absorb "Kong" of Zen, and produce the realm of clear and diaphanous in poem.
本文从日本的禅宗哲学与传统美学出发，结合安藤的建筑实例分析，试图揭示安藤的清水混凝土建筑与日本禅宗哲学及传统美学之间的普遍联系，借此探讨安藤创作的精神之泉。
This article starts from Japanese philosophy of "ChanXue" and traditional aesthetics, analyzes the classic buildings designed by Ando Tadao, and uncover the relations between Ando s designs and Ja.
本文从日本的禅宗哲学与传统美学出发，结合安藤的建筑实例分析，试图揭示安藤的清水混凝土建筑与日本禅宗哲学及传统美学之间的普遍联系，借此探讨安藤创作的精神之泉。
This article starts from Japanese philosophy of "ChanXue" and traditional aesthetics, analyzes the classic buildings designed by Ando Tadao, and uncover the relations between Ando s designs and Ja.
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