图像表意的强化与文字审美的式微正在改写这个时代的艺术社会学和符号美学。
Reinforcement of image ideograms and the decline of character appreciation are changing the artistic sociology and symbol aesthetics of this age.
本文主要关注技术对艺术的负面影响,从社会学和人性论的角度对技术进行了批判。
The thesis is largely concerned with that technology affects art negatively. The author criticized technology from the Angle of sociology and theory of human nature in this thesis.
本文在研究方法上借鉴了现今西方趋于成熟的女性艺术史研究的典型方法,即图像分析、风格分析、心理学和社会学的结合。
This thesis applies the typical approach which is increasingly mature in western art history study, i. e. the combination of image analysis, style analysis, psychology and sociology.
此后的半个多世纪内,女性艺术和女性艺术家崭露头角,她们开始了对艺术史和性别社会学的研究和思考,艺术史的呼声里逐渐加入了性别研究的视角。
After more than half a century, the art of women and women artists, They began to art and gender sociology research and the art of thinking, gradually joined in gender study.
从戏剧学和社会学的视角论述了竞技篮球运动和表演艺术的相关概念及律动关系;
The paper elaborated athletics cage game and the performing arts related concept and the rhythm relations from the play study and the sociological angle of view;
作为一名具有敏锐人类学社会学见解的艺术家,陶艾民的许多作品都围绕着性别、劳动和时间的长廊而展开。
As an artist with a keenly anthropological, sociological eye, much of her work revolves around issues of gender, labor and the passage of time.
作为一名具有敏锐人类学社会学见解的艺术家,陶艾民的许多作品都围绕着性别、劳动和时间的长廊而展开。
As an artist with a keenly anthropological, sociological eye, much of her work revolves around issues of gender, labor and the passage of time.
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