对于现代社会来说，世俗化是一个方面，而审美化是另一个方面。
To the modern society, the secularization is an aspect, but the aesthetics is another aspect.
这些官员，烙上了社会转型时期新旧文化冲突的印痕，具有明显的官本位思想、非道德化倾向和世俗化的特点。
These officials take the impression of new or old cultural conflicts in the period of social transition, with obvious characteristics of bureaucracy, immoral declination and secularization.
然而现代社会的世俗化使得这两个前提不复存在。
But secularization of modernity society made the two prerequisites impossibility.
在当代特定的经济环境和社会背景下，审美文化，尤其以都市审美文化为代表，开始了从理想主义向世俗化的转变。
In the contemporary economic environment and the specific social background, the aesthetic culture, especially the urban aesthetic culture, started to become secular from the idealism.
此类原因在现代世俗化的社会中似显苍白，但它们在其他地方曾一度构成并确实仍在构成强有力的理由。
Such reasons may seem thin in the modern, secularized society but they have been and are powerful indeed in other places.
大众文化与现代性有着深刻的内在关联，现代社会的世俗化是孕育大众文化的母体。
The popular culture and modernity have the deep and inside connection. The secularization of the modern society conceives the popular culture.
1979之前，爱尔兰控制避孕药应用，但因为上帝教教会影响日渐陵夷，爱尔兰社会越来越世俗化。
Contraception was controlled in Ireland until 1979, however, the receding influence of the Catholic Church has led to an increasingly secularized society.
在现代社会节奏变得越来越迅捷的今天，人们日趋功利化、世俗化、焦虑化，其自然、本真、恬淡的情调也日显式微。
The modern society is becoming by the increasingly rapid pace of today, people increasingly utilitarian, secular, anxiety, and its nature, the true, tranquil ambience has become increasingly decline.
随着社会的演进，佛教世俗化趋势逐渐加强，二者之间矛盾越来越小。
This is a contradiction. With the social gradual progress, the trend of the Buddhism secularization strengthens by degrees, the contradiction is becoming less and less.
从日本的农耕社会和佛教美术时代到浮世绘世俗化时代，中国的佛教文化、唐宋文化对其都产生了巨大的影响。
Chinese Buddism culture and the Tang and Song culture greatly influence Japanese arts at different stages of the arts history of Japan.
世俗化新闻的走向媒体的性质决定了其舆论方向，因此我们仍要高度警惕世俗化新闻在现阶段的惟市场取向，它的存在与现阶段我国社会文化的现实需要之间的矛盾。
We should be on the lookout of the exclusive market orientation of popularization in news reporting whose emergence and existence will contradict the social and cultural demand of the Chinese people.
本文主要从世俗化、日常化和碎片化三个层面，来描绘作家们对无根基的现代社会的直接体认和反应。
This article describe the authorial experience and reaction about the rootless modern society through secularization, daily and fragmentation.
本文主要从世俗化、日常化和碎片化三个层面，来描绘作家们对无根基的现代社会的直接体认和反应。
This article describe the authorial experience and reaction about the rootless modern society through secularization, daily and fragmentation.
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