杨新敏《电视剧叙事研究》一书不愧是电视剧叙事理论的开山之作。
Study of teleplay Narrative written by Yang Xinmin is really a pioneering book on teleplay narratology.
《犯罪现场调查》：该剧掀起了一番刑侦悬疑电视剧热，而这种电视剧成为现今的电视剧类型之一，可我们却忘了2000年的时候我们看这部剧时其新颖的叙事方式弄得我们如堕云里雾里。
CSI: Crime Scene Investigation: The series that kicked off the procedural boom is such a part of our landscape now that it’s easy to forget how trippy its innovations seemed in 2000.
这种电视剧常用的文本策略主要有三种：亮点挖掘、感性重构和叙事移位。
There are three major narrative strategies used in this kind of TV plays: mining themes, emotional reconstruction of the history and narrative time shift.
本文从影像艺术的本体出发，从剧情体裁、结构与节奏等方面探讨了戏曲电视剧的叙事艺术。
In this article, the author probes into the narrative art of theatrical TV play, starting from its style, structure and rhythm.
本文试图对日本电视剧《血疑》进行叙事策略方面的分析。
This paper is a study of narrative tactics in Japanese television drama XueYi.
1990年代电视剧女性形象的叙事演变大致经历了四个阶段，呈现为两种相对而生的叙事形态：围困式与突围式。
The narration of the female existence in the 1990s teleplays has gone through four stages with two models: besiegement and breakthrough.
戏曲电视剧是戏曲艺术和电视艺术有机结合形成的独特的综合艺术，其叙事艺术既不完全同于一般的电视剧，更有别于舞台叙事。
Theatrical TV play combines the art of traditional opera and modern TV plays and forms a unique artistic form, whose narrative techniques differ from both common TV plays and pure stage shows.
戏曲电视剧是戏曲艺术和电视艺术有机结合形成的独特的综合艺术，其叙事艺术既不完全同于一般的电视剧，更有别于舞台叙事。
Theatrical TV play combines the art of traditional opera and modern TV plays and forms a unique artistic form, whose narrative techniques differ from both common TV plays and pure stage shows.
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