他扮演的角色是虚构的，却充满现实主义色彩。
真诚的表演和对波士顿这一背景城市的真实刻画增添了电影的现实主义色彩。
Sincere performances and gritty Boston settings add to the film's realism .
上图：卫生间不在扩建的部分，我们很喜欢浴缸和洗脸池风格上的巨大差异，有超现实主义色彩。
Image above: the bathroom is in the old part of the cottage, and we love that the bath and basin at are odds with that, as they are ultra-modern.
油画创作作为一种技法连同思想表达的行为绘画，在当今时代背景下越来越赋予了现实主义色彩的理念。
The creating of a painting, as a kind of action painting combining skills with idea-expressing, has been given a growing amount of realistic ideology.
格林的故事带有现实主义的色彩，使人容易忘记它们是虚构的。
Greene's stories had an edge of realism that made it easy to forget they were fiction.
虽然最初的兴趣是那些色彩和超现实主义的环境，在很大程度上那种冲击力源于复杂的材质。
While the initial interest is the color and surreal quality to the environment, much of the power comes from the detailed textures.
创作者认为做这样的改动，能更有力地突出该剧多文化的主题，赋予其更多的“现实主义”色彩。
This, the creators tell us, is an attempt to acknowledge the show's multicultural theme more forcefully and to make the show more "realistic."
乌切罗三次描绘了发生在他有生之年的佛罗伦萨和锡耶纳1432年战争的场面，每一次都用了大量绚丽的色彩，就当时来说，是很了不起的现实主义。
Ucello painted the battle between Florentine and Sienese forces in 1432 - which took place within his lifetime - three times, each time employing spectacular color and - for the time - great realism.
这些文学作品带有浓厚的本土色彩和批判现实主义。
These literary works with strong local color and critical realism.
中国新时期文学，本质上属于现实主义文学，但它充满了苍凉的悲剧色彩。
While Chinese literature of the new period is realistic in essence, it is full of gloomy tragic coloring.
带着西方后现代色彩的思维方式，新生代艺术呈现了新的艺术景观——平面的现实主义。
The "Cenozoic era" art presents a new scene? "plane realism" with the color of the western post-modernism.
《红楼梦》是一部现实主义的伟大作品，又以其内在的神话因素，呈现出浓郁的浪漫主义色彩。
Dream of Red House is a great realistic article, and because of its inherent myth factors, also has deep romantic colours.
在上世纪八十年代中期，以《生生息息之爱》为标志带着浓厚的表现主义色彩，之后他转向达利式的超现实主义幻象；
In the eighties of the last century, "live and love interest of" be marked by Expressionism deeply, after which he turned to the illusion of surrealism;
这部影片也没有简单地将现实主义元素与带有奇幻色彩的元素截然分开。
Nor does the film simply separate its realistic elements from its fantastic ones.
本章将从三个方面进行论述：莫言童年的生活体验，传统色彩观念和色彩民俗的影响，以及拉美魔幻现实主义的影响。
This chapter discusses in three aspects: Mo Yan's childhood life experience, traditional color thoughts and the influence of color folk, the influence of Latin American magic realism.
本章将从三个方面进行论述：莫言童年的生活体验，传统色彩观念和色彩民俗的影响，以及拉美魔幻现实主义的影响。
This chapter discusses in three aspects: Mo Yan's childhood life experience, traditional color thoughts and the influence of color folk, the influence of Latin American magic realism.
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