他是创造社的创始人之一，推进了浪漫派的写作方式。
He co-founded the Creation Society, which promoted a romantic style of writing.
英国诗歌大家托马斯·格雷属于感伤主义诗人，具有古典主义的特点，被视为浪漫派的先驱。
Thomas Gray, a great master in poetry, is a sentimentalism poet with some classical traits and is regarded as the forerunner of Romanticism.
重新灌录的过去伟大的钢琴家的唱片，更加证明浪漫派的演奏听起来宛如一个世纪以前，而不是年老体弱的尼莱吉哈奇表现出来的那样。
Newly remastered recordings of great pianists of the past have increasingly demonstrated what Romantic playing sounded like a century ago, and it is not what the fragile and aged Nyiregyhazi mustered.
Payling满意地说。 「这意味著第一代的浪漫派诗人比第二代更长命。」
Satisfied, Payling says: “Which means the first generation of Romantic poets outlived the second.”
其中有像克劳福德那样的作家，即使没有把自己叫做浪漫派，也在明目张胆地反对豪厄尔斯和他的门徒。
And there were novelists like Crawford who, if they did not call themselves' romanticists', nevertheless disagree explicitly with Howells and his proteges.
浪漫派爱情小说是时代的产物。
绝望的浪漫派这下可以欢呼雀跃了——科学貌似站在了你们这边。
Cheer up hopeless romantics - science appears to be on your side.
而如今他却是首屈一指的浪漫派诗人。
Today he is recognized as one of the greatest of the Romantic Poets.
我们发现这些修饰中有许多不只是在巴洛克时期音乐中运用过，就是在经典的和浪漫派音乐中也有。
We find many of these embellishments not only in Baroque but also in Classical and Romantic music.
本文力图从“自我”形象角度，分析18世纪思想语境之下的德国早期浪漫派诗人诺瓦利斯诗学思想。
This article attempts to analyze German Romantic poet Novalis' "self image" of his Poetics under the ideological context of the 18th century.
其次，是从文本细读的角度，对新浪漫派中的女性形象进行文本分析和理论关照。
Secondly, from angle that text read in detail, women image in new romantic carry on text analysis take care of with the theory.
第二个比喻代表当前盛行的浪漫派关于诗的见解。
The second typifies the prevailing Romantic conception of the poetic mind.
德国浪漫派诗人沙米索著有一首改编自中文的叙事诗《尼怨》，但长期以来学者们未能获知其确切出处。
German Romantic poet Chamisso has a narrative poem "Klage der Nonne" adapted from Chinese, but the scholars didn't know the exact source of the poem for a long time.
作为一种美学思潮的浪漫主义对后世美学影响极为深远，而作为浪漫运动先驱的德国早期浪漫派，其文艺美学思想更是浪漫美学的基石。
And the German early romanticism group was the forerunner of romanticism movement, whose aesthetic thoughts of literature and art was the foundation stone of romanticism esthetics.
论文从文化视角切入，探讨“后期浪漫派”作家徐訏的文化选择。
Starting from the perspective of culture, this paper attempts to probe into the cultural selection of Xu Yu, a writer of the "later romanticism".
《最后四首歌》是这个特殊历史时期下，德国后期浪漫派最后代表人物——理查?施特劳斯的最后一组声乐作品。
Vier Letzte Lieder is the last vocal works of Richard Strauss who is the last key representative figure of Germany Latter Music.
他们即使不曾以浪漫派自称，也明目张胆反对豪威尔斯和他的门徒。
If they did not call themselves romanticists they nevertheless disagreed explicitly with Howells and his proteges.
指出徐皐在小说创作中以异域背景、非现实情景等方式对现实加以疏离，与现实保持一定的距离，是后期浪漫派作家共同有意识的行为；
The late-term Romancists share considerably the behaviour in their works to keep some distance to the reality by means of the other background and anti-reality conditions and everything.
德国浪漫派是1 8世纪德国文学艺术和美学的重要流派。
German Romanticism was an important genre of German literature and esthetics in the 18th century.
黄金分割原则在浪漫派之后得到了更广泛的应用，对于这种现象应该有正确的审美判断。
Golden Section principles were applied widely after the Romantic; this phenomenon should have the right aesthetic judgment.
英国杰出的浪漫派诗人约翰·济慈在其短暂的一生中创作了近六十首十四行诗。
In his short life of 25 years, John Keats, the British eminent romantic poet, composed near sixty sonnets.
（“大多数日本人是非常庄重、内敛的，一般很少有外在的表达。（但）我本人则是一个热情奔放的浪漫派。”）
Japanese are usually very settled, very quiet, don't express too much. (but) I am a romantic, passionate person.
作为浪漫派小说的代表作品之一，《巴黎圣母院》处处体现了雨果所倡导的“美丑对照”原则。
Romantic as the representative works of fiction, "Notre Dame de Paris" by Victor Hugo everywhere reflects the advocacy of "Beauty and Ugliness control" principle.
浪漫派反讽理论极大地扩大了反讽使用的范围，强调创作主体在创作过程中的自觉、反思和自由。
Romantic ironic theories enlarged the scope of using irony, laying stress on the consciousness, reflection and freedom of the creation subject in the course of creation.
浪漫派反讽理论极大地扩大了反讽使用的范围，强调创作主体在创作过程中的自觉、反思和自由。
Romantic ironic theories enlarged the scope of using irony, laying stress on the consciousness, reflection and freedom of the creation subject in the course of creation.
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