中国古代山水画和西方浪漫主义风景画就分别体现了这两种审美观照方式。
Ancient Chinese landscape painting and romantic western landscape painting embody these two aesthetic modes separately.
象征主义文学以浪漫激情与现实责任的互为纠缠确立了自己的艺术立场，以丑与美的对立统一表现了自己的审美追求。
It establishs its artistic stand with the mixture of the romantic feeling and realistic responsibility, it expresses its aesthetic seeking with the unity of opposite between ugly and beauty.
秦汉审美文化既不是“现实主义”，也不是“浪漫主义”，而是以外向和谐的壮丽为总体时代特色的古典主义。
The aesthetic culture of Qin and Han dynasties is neither "realism" nor "romanticism", but "classicalism" whose main features are outward harmonious splendor.
庄子与明代浪漫主义的审美个性有很多相似之处。
The aesthetic individuality of Zhuang Zi and romanticism in Ming Dynasty have shared many similarities.
这一批评观在注重翻译文学的语言学和语文学特征的基础上，为现代翻译文学注入了以主体与客体相契合为特质的浪漫主义审美资源。
It, on account of the given historical background, has supplied modern translated literature with romantic, aesthetic resources distinguished by the combination of subject and object.
理查·施特劳斯漫长的一生(1864- 1949)跨越了十九世纪德国艺术歌曲的时代，他的大部分歌曲反映了浪漫主义风格的审美理念。
The lengthy life of Richard Strauss (1864-1949) has covered the period in which 19th century lieders prevailed, whose most songs embody romanticist style.
理查·施特劳斯漫长的一生(1864- 1949)跨越了十九世纪德国艺术歌曲的时代，他的大部分歌曲反映了浪漫主义风格的审美理念。
The lengthy life of Richard Strauss (1864-1949) has covered the period in which 19th century lieders prevailed, whose most songs embody romanticist style.
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