第三章阿垅新诗创作对其诗论的体现。
鲁迅与周作人的新诗创作有共性，但异质性更为明显。
Lu Xun and Zhou Zuoren s new poem creation have the generality, but the heterogeneity is more obvious.
八十年代初，理论界以其诗歌创作为切入点，展开了关于新诗创作的大讨论。
In the early 80s, theorists had an active discussion beginning with SHIJ Ting 's poems.
本文试图以现实主义概念为视角，同时力求超越固定概念的限定来考察臧克家建国前的新诗创作。
This thesis attempts to study Zang Kejia's poems before 1949 from the perspective of realism while not being restricted by the concept.
中国现代新诗创作长期以来忽视自身理论建设，片面强调口语化、散文化，而反对新诗的格律化和规范化。
The creation of Chinese modern new poetry have ignored theoretical construction of its own, but put undue emphasis on the colloquial and prose style, and opposed the metrical and standard patterns.
那么他的新诗风格如何，他的新诗创作从哪些方面、又是如何践行其诗歌美学的，这些问题在此章中予以解决。
Then how his style of poetry, his poetry writing from what and how did it live up to their poetic aesthetics, these issues be addressed in this chapter.
目前我正在着手一部短篇集及一组新诗《无异意的夜晚》的创作，诗名语出阿根廷作家博尔赫斯。
I am currently working on a new collection of stories, and a new set of poems entitled "Unanimous Night" : this title is a take-off from something Borges, the Argentine writer, said.
而诗是语言自己在说话，故新诗的创作与批评都应以有无“意境”作为尺度。
But poetry is language speaking itself, hence, the creation and criticism of the New poetry should be measured by "with or without artistic conception in it".
这使得中国现代新诗没有从直白浅露的“白话”起步，而是从一种自由创作精神起步。
This makes Chinese modern new poetry to start from the spirit of free creation instead of the vernacular easy to understand.
它们在现代诗学史上都产生过重要的影响，至今对中国新诗理论建设与创作实践仍有着重要的参考价值。
These theories have had great influence on modern poetry, and are of great referential value for the construction of New Chinese Poetics and the poetic creation.
废名饱含文化内涵的诗歌想象和创作，不仅丰富了30年代的现代诗坛，而且也给当下的新诗走向提供了一定的启示。
The poetic imagination and creation filled with cultural connotation not only enriched the realm of 30's poetry but also left certain enlightenment of new poems.
世纪之交的中国新诗面临着遭遇社会大众集体性疏离、冷漠的外部困境，同时新诗在创作、阅读与批评等方面也面临着内部困境。
Chinese modern poems is not only facing the unconcerned exterior plight of being isolated by the social mass, but the interior plight in the aspects of poetry composing, reading, and criticizing.
艾青是2 0世纪中国最优秀的诗人之一，他历时60年的创作活动为年轻的中国新诗作出了独特的贡献。
Aiqing is one of the most outstanding Chinese poets in the 20th century. His 60-year creative activities made particular contribution to Chinese new poems.
作为其奠基之作的《新诗的创作与鉴赏》则在某种程度上孕育出该诗学体系的雏型；
The Creation and Appreciation of New Poems, which pave the way of the system, is pregnant with embryonic form.
知性论引入和研究，一直接影响了40年代中国新诗派诗学及创作。
The introduction and study about intelligence influenced the Chinese new poetry and creation in the 40s.
而且，萧红涉足文学的最初创作是诗歌，最早发表的文学作品也是新诗，而不是小说或散文。
Moreover, Xiao Hong's first involvement in literary creation is poetry; her literary work published earliest is also poetry, not novels or prose.
它们在现代诗学史上都产生过重要的影响，至今对中国新诗理论建设与创作实践仍有着重要的参考价值。
These theories have had great influence in modern poetry, and are of great referential value for the construction of New Chinese Poetics and the poetic creation.
在抗战时期的北京文坛，与其他文类相比，新诗一直都处于文坛的边缘地带，诗人的创作环境也明显恶化。
However, the poets in Beijing didn't continue the resurgence of new poetry in 1930's. Not only the poets were on the edge of the literary world, but also their writing conditions began to deteriorate.
在创作之外，对新诗的教学、研究与评论，皆颇有成绩。
Besides creative writing, she's achieved considerable accomplishments in teaching, research and commentary of new poetry.
对于新诗，何其芳是杰出诗人，又是诗歌理论家。《预言》则是这位诗人的创作起跑点，是何其芳的第一部个集。
As regards new verse, he Qi-fang is both an outstanding poet and a theorist, whose Prophesy is not only his starting point in poetic writing but also his first personal collection.
自1919年创作第一首新诗《梅雨》开始，田汉一生写作的旧体诗词、新诗、歌词共计有将近一千首，诗人田汉的称号确实是名至实归。
Since 1919 when he began to create the first modern Chinese poem "Mei Yu", he has created nearly 1,000 poems in his whole life, including old style poems, modern Chinese poetry, lyrics and so on.
冰心是中国新诗史上“小诗”运动的代表人物，她所创作的小诗主要讴歌“爱的哲学”。
BinXin is a representative figure of "small poetry movement" in the history of Chinese new poetry. The poems created by her mainly praise "philosophy of love".
对诗歌理想、诗歌效用、诗歌创作源泉等问题的阐述是俞平伯新诗观的基本内容。
The expositions on such issues as the idealism and effectiveness of verse, the source of verse writing, etc. are cardinal components of Yu Pingbo's views on new verse.
对诗歌理想、诗歌效用、诗歌创作源泉等问题的阐述是俞平伯新诗观的基本内容。
The expositions on such issues as the idealism and effectiveness of verse, the source of verse writing, etc. are cardinal components of Yu Pingbo's views on new verse.
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