通过将人物置于更广阔的文化背景中，马歇尔抨击了种族和性别的刻板印象，并为20世纪70年代小说中种族、阶级和性别的探索铺平了道路。
By placing characters within a wider cultural context, Marshall attacked racial and sexual stereotypes and paved the way for explorations of race, class and gender in the novels of the 1970's.
你可以指责好莱坞在推动刻板印象，但它对所有文化和国家都是这样做的。
Hollywood can be accused of pushing the stereotypes, but it has been doing so against all cultures and countries.
结论：区域刻板印象存在区域间的差异，并且区域文化是主要影响因素。
Conclusion: differences of regional stereotypes exist at regional and inter-regional levels, of which cultural difference is the main factor.
我们这些来自多文化国家的人应该知道得更清楚一些，这也是为什么我可以部分地原谅从中国朋友们那里听到的关于外国人的刻板印象。
Those eof us from multicultural nations should know better, and this is why I can partially excuse the stereotyping I hear from Chinese friends about foreigners.
我们这些来自多文化国家的人应该知道得更清楚一些，这也是为什么我可以部分地原谅从中国朋友们那里听到的关于外国人的刻板印象。
Those of us from multicultural nations should know better, and this is why I can partially excuse the stereotyping I hear from Chinese friends about foreigners.
情感内容应包括反对偏见、刻板印象，培养跨文化知识和宽容态度。
The affective content should include combating prejudice and stereotyping, and foster cross-cultural competence and tolerance.
本文作者从社会心理学角度探讨并得出结论：正是由于群体对抗性的存在，刻板印象、偏见和歧视在很大范围内影响个体在跨文化交际中的态度以及行为方式。
The author of this thesis concludes that: stereotypes and prejudice strongly influence the individual's attitudes and behavior in a variety of areas because of the existence of group antagonism.
举例来说，水墨画是广为人知的传统东方文化的表现方式，而近代的流行文化中也有许多同样被认为与远东文化相关连的刻板印象。
For example: the traditional forms of ink painting is one thing that everyone knows, and pop culture in any aspect is the other stereotype to speak about related to the Far Eastern culture.
本篇论文在探讨女性被刻板印象化表现的根源时发现，以父权制为代表的传统落后文化依然统治着当今中国。
In the exploration of origins of the stereotypical representation of women, it is found that the conventional concepts left behind from patriarchy still exist in present China as a dominant culture.
而90后刻板印象的形成不仅不利于“90后”青少年的成长，还将加深亚文化与主流文化之间的鸿沟。
And 90generationthe formation of stereotypes is not conducive to post-90 young people, Asian culture and will also deepen the divide between the mainstream culture.
而90后刻板印象的形成不仅不利于“90后”青少年的成长，还将加深亚文化与主流文化之间的鸿沟。
And 90generationthe formation of stereotypes is not conducive to post-90 young people, Asian culture and will also deepen the divide between the mainstream culture.
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