马歇尔避免了二十世纪初抗议小说中典型的受压迫、与白人社会冲突的悲剧性女主人公。
Marshall avoided the oppressed and tragic heroine in conflict with White society that had been typical of the protest novels of the early twentieth century.
它在美国文学中占有非常重要的地位，开创了美国文学中抗议小说的先河，成功地塑造了别格。
It broke a path for American protest novel, successfully portrayed the character, Bigger Thomas, and mercilessly exposed the racial discrimination existing then in American society.
小说每周三期，用冷峻的黑白照片讲述了伊朗抗议民众们的故事，表述了他们自选举一直遭受着的恐惧感。
The novel, published three times a week, tells in stark black-and-white pictures the story of Iran’s protesters and the horrors they have endured since the election.
由此，他的小说不再是传统学界所认为的“社会抗议”文字，而是对人类具有永久性警示作用的力作，因为它们揭示了人类亘古以来一个崇高而宏大的主题，即善与恶冲突背景下的人类的出行和救赎。
As a result, his novellas are endowed with universal meaning, as they reveal a noble and grand theme, i. e. human beings' journey and redemption in the background of conflict between good and evil.
由此，他的小说不再是传统学界所认为的“社会抗议”文字，而是对人类具有永久性警示作用的力作，因为它们揭示了人类亘古以来一个崇高而宏大的主题，即善与恶冲突背景下的人类的出行和救赎。
As a result, his novellas are endowed with universal meaning, as they reveal a noble and grand theme, i. e. human beings' journey and redemption in the background of conflict between good and evil.
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