人们写了许多诗歌来歌颂我们敬爱的周总理。
People wrote many poems in praise of our beloved Premier Zhou Enlai.
我们真的不需要更多的诗歌、性别研究或社会学专业。
We simply don't need more poetry, gender studies, or sociology majors.
他必须饮酒作诗聊以自娱。然而，也许不得不感谢他悲惨的政治生涯，否则我们将会失去一笔诗歌上的巨大财富。
He had to attain fun by drinking wine and writing poems. However, maybe we have to thank his miserable political life, or we will lose a great fortune in poetry.
但是，对真实和个人的崇拜，和对“做我们自己的事”的追求，已经导致了正式演讲、写作、诗歌和音乐的消亡。
But the cult of the authentic and the personal, "doing our own thing", has spelt the death of formal speech, writing, poetry and music.
从最广泛的意义上说，我们说诗歌是写来激起读者（也就是你）的情绪体验的，通过使用意象来让观众获得某种情感体验，或是某种可预测的节律。
In the very broadest sense, we said it's written to evoke, to make you, the audience, have some kind of the emotional experience through the use of imagery, some kind of predictable rhythm.
他也写了很多关于我们国家的美丽诗歌。
图书馆馆长说：“我们这里有供4到10岁孩子阅读的书，也有供年纪稍大一点的孩子阅读的书，比如世界经典和诗歌。
The director of the library said, "We have books here for kids aged from four to ten, and books for older children, like world classics and poems.
最后这变成了关于诗歌和在我们的葬礼上读些什么的对话。
It developed into a conversation about poetry and what we would want read at our funerals.
弥尔顿在他的第一首英语诗歌里的主题，我们可以猜一下，是他将来的文学事业。
Milton's subject in his first English poem is — we can guess it it's his future literary career.
我们课上学习的现代诗歌，你们在诗集中可以看到，我认为是一个国际现象。
Modern poetry, as we study it in this class and, I think, as you see it in this anthology, is an international phenomenon.
这星期没啥不朽的句子，。我的男朋友，或者说我的前男友，我得说，断定我们的诗歌互不相容。
No immortal lines this week, and my boyfriend, or ex-boyfriend, I should say, has decided that our poetics are incompatible.
阿卡什·乔杜里是我们的英国文学传授者，在他狂热奔放的英国诗歌朗诵中，有着非同一般的陶醉。
In the impetuous declamation of English poetry by Akshay Chowdhury, our initiator into English literature, there was the wildness of intoxication.
虽然，现代诗以各种形式力求指导现实，奥登却小心翼翼地提醒我们，诗歌什么事也干不了（在你们的讲义中有提到）。
While modern poetry in many of its forms strives to master reality, Auden reminds us, there on your handout, cautiously, that poetry makes nothing happen.
我们已经看了弥尔顿最早期的诗歌，或者说弥尔顿希望我们认为是他最早的诗，从一些不同的角度。
We've looked at Milton's earliest poem, or what Milton wants us to think of as his earliest poem, from a couple of different perspectives.
阿波罗以一种我们可以通过，诗歌的结尾来估测的方式轻抚着弥尔顿，因为弥尔顿本身在的最后，似乎也在假定着阿波罗的权威。
Apollo had touched Milton in a way that I think we can actually measure by the end of this poem because Milton at the conclusion of Lycidas seems to have assumed the authority of Apollo.
芝加哥人都是出色的演讲者，我们自有免费的诗歌朗诵，戏剧独白和讲故事聚会来证明这一点。
Chicagoans are great talkers, and we have the free poetry readings, monologues and storytelling events to prove it.
我认为，这其实也属于一种类型的诗歌创作，其中有些来源于罗伯特•弗罗斯特，更多的是与之相同。我们星期一再继续。
This is, I think, really also a version of poetic activity that has some sources in and has a lot in common with Robert Frost's, as we will see on Monday.
夸西莫多最终以“他的感情丰富的诗歌——通过传统的炙热的方式表达了我们这个时代的悲剧遭遇”而获得提名。
Quasimodo was eventually named winner, for "his lyrical poetry, which with classical fire expresses the tragic experience of life in our own times".
但当汽车旅馆被甩在了我们后头的时候，她开始谈起了她的诗歌，她的工作，还有她那没有欣赏水准的丈夫。
But when the motel was behind us she started talking about her poetry, her work, and her insensitive husband.
虽然我们都知道宇宙是怎样的-,现在即使哥白尼的理论也不完全正确了-,但是诗歌偏爱托勒密的宇宙观。
Whereas we all know that the universe is of a certain kind-- -- we can't even call it Copernican anymore-- poetry has this odd preference for Ptolemaic astronomy.
可现在我们拿在手里的是大卫的另一首诗歌：诗篇39。
像西尔维亚·普拉斯这样的诗人可能英年早逝，但这并不等于我们应该在诗歌欣赏课上警告学生：诗歌威胁身心健康。
"The fact that a Sylvia Plath may die young does not necessarily mean an Introduction to Poetry class should carry a warning that poems may be hazardous to one's health, " he said.
我们可以看到他这首诗歌的目的之一，就是去改变现状。
And I think it's possible to see that one of the purposes of this poem is precisely to correct that situation.
就如GalleyCat提到的，“我们没有意识到原来诗歌也如此流行——虽然无疑地它们值得流行！”
As GalleyCat noted, “We had not realized poetry readings were so popular – although clearly they should be!”
当我把这个观点用到诗歌领域，我就会发现我们，尤其是读者对性别对写作的影响的观点是多么陈腐。
When I applied the idea to poetry I saw how prescriptive we can be - particularly as readers - in our assumptions about the influence of gender on writing.
他想要我们看见这一排排，割过的一排排像诗歌的字迹一样。
He wants us to see the row, the harvested rows as being like lines of verse.
他想要我们看见这一排排，割过的一排排像诗歌的字迹一样。
He wants us to see the row, the harvested rows as being like lines of verse.
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