如果我们的音乐能产生一个深刻的印象，即使它是负面的，我们也很高兴。
We're glad if our music makes a strong impression, even if it's a negative one.
想象一下，外星物种登陆地球，而他们的存在会让我们的艺术消逝，同化我们的音乐，也让我们的技术知识消失了。
Imagine that an alien species landed on Earth and, through their mere presence, those aliens caused our art to vanish, our music to homogenize, and our technological know-how to disappear.
这是一个人们可以免费听我们的音乐的地方。
It was a place where people could go and listen to our music for free. But as we got more legit, how cumbersome MySpace is became evident.
人们每天都要面对很多紧张和压力，听到我们的音乐后，可以舒缓身心。
People have a lot of tensions and pressures every single day. We hope that after they listen to our music, they will feel relaxed and feel good.
如果你通读这个材料，现在你应该也已经通读过了这一部分，你应该知道我们的音乐中有一种音符值。
If you've read through that material and you should have read through it by now you know that we have a value in music.
我们必须继续用我们的音乐使世界了解疟疾：该病可预防，可治疗，而且如果人人参加斗争，就可打败它。
We must continue to use our music to tell the world about malaria: that it can be prevented, it can be treated, and it can be beaten if everyone joins the fight.
我们将为这项事业提供力所能及的帮助，而且希望我们的音乐能够影响其他人加入到我们的行列中。
We are giving what we can to serve the cause and we hope our music will influence others to do the same.
在那些日子里，最能表现我们新鲜甜蜜自由的似乎只有在店铺关闭后驾车，大声开着我们的音乐，随意地四处兜风。
In those days, nothing seemed to embody our sweet new freedom more than driving after hours, driving with our music loud, driving with no particular place to go.
我们都变成了DJ，而我们的音乐推荐生态系统也成为了一个最大的拼图谜团，到最后谁的音乐推荐最值得信任呢？
We have become the DJs, and our musical-recommendation ecosystem, as a result, has become the world's biggest jigsaw puzzle. Who do we trust for music picks lately, anyway?
今天卫报为你揭晓我们的音乐影响力100榜单，向你介绍那些在音乐产业中最有影响力的艺人、推广人、管理者和商人。
Today the Guardian reveals its music Power 100 list: the most influential people creating, promoting, managing and making money from music.
于是我解释了这支乐器的重要性，然后我们在开头添加了鼓点滚音，这样可以促使几百名观众用脚踩着拍子，好跟随我们的音乐一起吟唱。
So I explained the significance of the piece, and we added a drum roll at the beginning that would allow the audience of several hundred to rise to their feet and sing along with us.
事实上，Other音乐是从Tower唱片东方乡村店在纽约开始开销路的，“有许多狂热的音乐歌迷来到这里，我们的音乐打动了他们，当然，也打动了我们自己。”
In fact, Other Music opened its doors across the street from Tower Records' East Village store in New York City.
文化这个词不仅包括我们社会的风俗、艺术、音乐，还包括日常活动。
The word culture includes not only the customs of our society, its art, music, but also everyday activities.
从第四小节，我们知道人们并不总是能意识到他们的音乐有多大声。
From the fourth paragraph, we know people don't always realize how loud their music is.
过去几周我们谈论的所有音乐其实都在城市里，那是作曲家和管弦乐队所在的地方。
All the music we have been talking about the past few weeks, it really was all in the cities, that's where the composers and the orchestras were.
在我们这个时代，美国的音乐高雅文化已经退化为一种脱离当代的俗套娱乐。
In our own time, America's musical high culture has degenerated into a formulaic entertainment divorced from the contemporary moment.
OperaLyrica或者抒情歌剧，指的就是我们常看作歌剧的音乐剧。
Opera Lyrica or lyric opera refers to what we think of as opera, the musical drama.
适用于诗人和音乐家的也适用于我们的日常生活。
What applies to poets and musicians also applies to our daily lives.
我们的网站上有大量的爵士音乐。
我提到了我祖母的童年，她的父母多么热爱音乐，以及她是怎样在我们所有的家庭聚会上弹钢琴的。
I mentioned my grandmother's childhood, how much her parents love music, how she played the piano at all our family gatherings.
我们可能都熟悉电影中的背景音乐，它已经变得如此普遍，以至于如果没有背景音乐便会显得很突兀。
We are probably all familiar with background music in films, which has become so ubiquitous as to be noticeable in its absence.
然后我们贴上了假胡子，假扮成人们熟悉的音乐家。
Then we wore false beards to pretend to be the musicians that people were familiar with.
我们想与音乐保持更紧密的联系，以便更多地了解音乐的本质；因此，我们可以在音乐风格、形式和表达方式上更加广泛自由地进行选择。
We want to make closer contact with music in order to learn more of its nature; thus we can range more broadly and freely in the areas of musical style, form, and expression.
我们已经开始期待在汽车追逐时音乐的加速和恐怖电影中嘎吱作响的门。
We have come to expect an acceleration of music during car chases and creaky doors in horror films.
一开始我们被安排在音乐大楼的一个排练室里，但后来我们和爵士乐团换了房间。
Originally we were booked in one of the rehearsal rooms in the music building, but then we switched with the jazz ensemble.
到目前为止，在我们关于巴洛克和早期古典时期的讨论和阅读中，我们一直在讨论音乐风格和流派的发展。
Up until now in our discussions and readings about the Baroque and early classical periods, we've been talking about the development of musical styles and genres.
这也是为什么当我们试图用语言描述音乐时，我们所能做的只是表达我们对音乐的反应，而不是领会音乐本身。
It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.
我们常常从他的音乐中获得纯粹的力量，这并非来自管弦乐队宏大的音量。
The sense of unalloyed power we often take from his music is a result, not of the weight of orchestra sound.
但是，对真实和个人的崇拜，和对“做我们自己的事”的追求，已经导致了正式演讲、写作、诗歌和音乐的消亡。
But the cult of the authentic and the personal, "doing our own thing", has spelt the death of formal speech, writing, poetry and music.
音乐方面，我们需要一个非常大的房间，一个音乐厅，实际上我应该说是一个完整的管弦乐队。
For music, we need a very large room, a concert hall, actually I should say for full orchestras.
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