所以，我们的作品是许多人和许多思想的产物，而不是某个设计师的作品。
Our work, therefore, is the product of many people and many minds, not of one designer.
哪些现实主义元素是我们应该在弗兰岑的作品中寻找的？
What are the elements of Realism we should be looking for in Frantzen's work?
我们最受欢迎的展览作品之一是乔治·卡塔卢奇的鸟类雕塑。
One of our most popular exhibitions is the Giorgio Catalucci bird sculptures.
蒙德里安的作品看似简单，但眼球追踪研究证实它们是经过精心创作的，而且简单地旋转下一件作品，就会从根本上改变我们看待它的方式。
Mondrian's works are deceptively simple, but eye-tracking studies confirm that they are meticulously composed, and that simply rotating a piece radically changes the way we view it.
他们的作品《奥拉夫街研究》是为数不多能够体现世俗的作品，这一世俗大多时候都能够反应我们对自然景观的体验。
Their Olaf Street Study, a square of brick-strewn waste ground, is one of the few works here to embrace the mundanity that characterises most of our experience of the landscape most of the time.
我们发现，后来对整个欧洲音乐产生显著影响的，是巴托克在自己的作品中使用他从民歌中听到的元素的方式。
It turns out that what would later have a notable influence on European music on the whole, was the way Bartók used elements he heard in folk songs in his own compositions.
他们的作品《奥拉夫街研究》是一方布满残垣断壁的废墟，那是为数不多能够体现世俗的作品，这一世俗能够反映我们在大多数时候面对大多数自然景观的体验。
Their Olaf Street Study, a square of brick-strewn waste ground, is one of the few works here to embrace the commonplaceness that characterizes most of our experience of the landscape most of the time.
重读的美妙之处在于，我们与作品的联系是建立在我们当前的心理状态上的。
The beauty of rereading lies in the idea that our bond with the work is based on our present mental register.
"我们欣赏、享受或惊叹的是天才在他们的作品或取得的成就中所展现出的种种技能。尽管天才掌握与我们相近的技能，水平却比我们高得多。
What we appreciate, enjoy or marvel at in the works of genius or the achievements of prodigies are the manifestations of skills or abilities which are similar to, but so much superior to, our own.
我们可能会认为早期的艺术作品是粗糙的，但西班牙和法国南部的洞穴壁画表现出了出众的技巧。
We might expect that early artistic efforts would be crude, but the cave paintings of Spain and southern France show a marked degree of skill.
目前还不知道在澳大利亚有多少地方能够发现这种岩石艺术；但不幸的是，我们知道有很多艺术作品正在消失。
It isn't actually known how many sites there are across Australia where rock art can be found—but unfortunately, we do know that much of the art is being lost to us.
我这里说的神话与上一节课中所指是同一个意思，就在我们讨论Kaufman的作品时。
I'm using the term mythology now the way we used it in the last lecture when we were talking about Kaufman's work.
下周我们会这样做，作品中是怎么写的。
And we'll have to do this next week — to how this release actually works.
那时候我们的文学之神是莎士比亚、弥尔顿和拜伦；在他们的作品特性中，最激动我们人心的，是其强烈的情感。
Our literary gods then were Shakespeare, Milton and Byron; and the quality in their work which stirred us most was strength of passion.
想象一下，如果我们能用关键词搜索所有浪漫主义作品中提到的“高尚”，或者是它的复诵，这个功能会多么有用啊。
Imagine the power of a keyword search that could search all the works of romanticism for every mention of the sublime, or its various iterations.
这边，我不指让我满怀敬畏那些伟大的艺术家，我说的是我们，让我们更现实一点：我们的作品不可能今天一说明天马上就能拿去画廊展出。
I speak here not of great and accomplished artists, for whom I hold great awe, but for you and me, whose work, let's face it, will not soon be given a gallery show.
我们极少以作品发表量来衡量，而更愿意用我们自己的标准，其中一个重要考虑因素是他们要对一个有挑战性的目标有长期的兴趣。
We go less by publications and are more willing to use our own criteria, of which an important component is that they should be interested in a long-term, challenging goal.
我们是重复展览了一些作品，我们这么做是有意的，对此我并没感到不安，在我眼里，这些受到议论的绘画作品在不同的展览中看上去是不一样的。
We did it, we did it consciously, I have no qualms about it, and, to my eye, the paintings in question looked differently from show to show.
但假使我们呈现一出描述原子四处晃动的电影，而这电影我们直到最近才被证实是卡通的话，那么艺术家的作品等等也不过是如此。
But if we were shown a movie depicting atoms jiggling around, until recently we could be reasonably sure we were looking at a cartoon, an artist's impression or a simulation of some sort.
可惜的是，就像美元纸币和美国国旗一样，这幅作品有同样的障人眼目的熟悉性，着层熟悉的烟幕让我们对她的伟大视而不见。
Unfortunately, like the dollar bill and the American flag, it has assumed a pall of such impenetrable familiarity that we no longer see it at all.
首先，我们认识到要求他人去批评别人的工作非常困难，尤其是当事人如果知道设计这个作品的人就坐在他身旁。
Firstly, we realized asking someone to critique a stranger's work is especially difficult if the user thinks the stranger who designed it is sitting right next to them.
上周我们报道了第一名的作品——在同一天幕下，该方案是采用了室内园林设计来改善空气质量。
Last week we wrote about the first prize design, "Under the Same Roof", which featured indoor gardens that helped improve the air quality.
那就是，当然，蒙娜丽莎这部作品要达到我们怀疑有“笑”的效果（但没人敢确定是不是真的是笑）要很多很多年，，当近距离直视这部作品的时候又看不出她的笑容。
That is, of course it takes many, many years for a woman to cultivate a smile that one suspects is there, but one can't be sure of, and which certainly disappears when scrutinised head on.
回头我会给你们一个作品片段的列表，你们得做点准备，然后我们会放一些列表中的作品片段，但是最重要的是，我会给你们一些考点。
You will be given a list of pieces that you'll have to prepare for a little bit and then we will play out of those particular pieces, but most importantly, I will give you a prep sheet.
是啊，好的，哪能那么短暂，乔恩，除非我们一直不合理地吃，但感谢你的辩护经典作品。
Not if we’ve been eating rationally. But thank you for a classic piece of rationalization.
是啊，好的，哪能那么短暂，乔恩，除非我们一直不合理地吃，但感谢你的辩护经典作品。
Not if we’ve been eating rationally. But thank you for a classic piece of rationalization.
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