汉代戏剧理论主要体现在戏剧与现实的关系、戏剧的讽谏与惩戒功能以及戏剧的娱乐功能之上。
Drama theory reflect in drama and realistic relation, drama is it remonstrate with with discipline function and amusement function of the drama to mocking mainly Han Dynasty.
在《霸王别姬》中，程蝶衣因持续模仿与自己完全不同的人物和性格，对现实和戏剧世界之间界限认识模糊，并由此形成第二天性。
In Farewell, Concubine, Chen Dieyi continually took off completely different characters and formed a second nature as the result of his vague cognition of the ambit between reality and drama.
在《霸王别姬》中，程蝶衣因持续模仿与自己完全不同的人物和性格，对现实和戏剧世界之间界限认识模糊，并由此形成第二天性。
In Farewell, Concubine, Chen Dieyi continually took off completely different characters and formed a second nature as the result of his vague cognition of the ambit between reality and drama.
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