悲剧的结局并不体现“诗的正义”；
这只不过是无数个阴差阳错故事中的一个，两个无法完美结合的一半相遇了，而丢掉的另一半还在别处徘徊，姗姗来迟，这样的延误即将导致悲剧的结局。
In this case, as in millions, it was not the two halves of a perfect whole who met. A missing half wandered somewhere else, arriving much later. This delay was to have tragic results.
然而，细细一想，文凭是现代教育悲剧的完美结局。
Yet take a closer look, and the diploma is the perfect ending to the modern tragedy of education.
虽然其中两艘沉船沉没了，但它们都是双层船体设计，这种双层船体被认为是“永不沉没的”，也许正是这个错误的想法导致了泰坦尼克号和不列颠号的悲剧结局。
While two of these ships sank, they were all designed with double hulls believed to make them "unsinkable", perhaps a mistaken idea that led to the Titanic's and the Britannic's tragic end.
小说中的贾宝玉就是这样一个男儿，而其悲剧式的结局，我们可从《红楼梦》里看得到。
Such a one was Chia Pao Yü, and we follow him to his tragic end in Hung Lou Meng.
但是这是值得一试的冒险。面对这些悲剧性的结局，处于本质的冲动，荒谬的心智必然会提出这样的问题：“这证明了什么呢？”
But this is a risk worth running, and, faced with such tragic ends, the essential impulse of the absurd mind is to ask: "What does that prove?"
但随着海冰形成得更晚，融化得更早，饥饿的北极熊将被迫在岸上花费更多时间，遇到人类，发生潜在的悲剧结局的可能性也增大了。
But as sea ice forms later and melts earlier, hungry polar bears will be forced to spend more time ashore and may be more likely to encounter humans, with potentially disastrous consequences.
主持人：许秦豪导演之前的《八月照相馆》和《春逝》都没有带来爱情美好的结局，为什么《外出》依然是一个悲剧？
Host: Director Hur, in ur previous movies, there were no good endings to the love story, so why is Oe Chool still a melodramatic movie?
因为自然生命周期有限，也只有悲剧结局，才能让我们清醒，这使我们时常顿悟得太晚，以致于无法避免那些令人痛苦的结局。
Because of the natural life cycles and the fact that sometimes it's the tragedy that causes our awakenings we often have our epiphanies too late to avoid certain painful outcomes.
各种人物之间的冲突和人物与社会之间的冲突相互作用，最终决定了故事的结局是悲剧。
The conflicts between the characters in this book, together with conflicts between the characters and the society, are inseparable ingredients of the tragic ending of this story.
因为自然生命周期有限，也只有悲剧结局，才能让我们清醒，这使我们时常顿悟得太晚，以至于无法避免那些令人痛苦的结局。
Because of the natural life cycles and the fact that sometimes it's the tragedy that causes our awakenings we often have our epiphanies too late to avoid certain painful outcomes.
这些因素是导致主人公悲剧结局的直接因素，即显性因素。
These direct factors are the ostensive factors that result in the tragedy of Coleman.
然而，她们无一例外的悲剧结局，循环重复着“堕落”或者“回来”的生命程序，不能不引起我们对新女性个性解放道路的思索。
Yet without exception of tragedy end, they have circled and repeated the life pattern of "corruption" or "return".
中国古典戏剧大团圆结局一直为人所垢病，被当作“中国无悲剧论”的主要论据。
The happy ending of Chinese classical drama, which has been criticized, is taken as the major argument that there is no tragedy in China.
它是哈代的悲剧创作的第一个尝试，小说中的三个主要人物的结局都很悲惨。
It is the first overall attempt in Hardy's tragedy creation. The three main characters all get miserable endings.
他们的悲剧结局有其内在动因和历史必然性。
This implies the tragic dynamism and historical inevitability.
在该剧中，奥斯特罗夫·斯基分别从第一人称卡捷琳娜和第三人称贵妇人、游客甲、乙等视角对卡捷琳娜的悲剧结局进行了预言。
In the play, Ostrovsky foretold the tragedy of Katerina from the first person Katerina, the third person gentlewoman, and visitors a, B, etc.
多么令人悲哀的一天。悲剧性的突然变化导致了这个不幸的结局。
Such a mournful day. A tragic turn of events led to this unhappy outcome.
本文比较了莎士比亚和关汉卿悲剧艺术在主题、人物、冲突、结局方面的差别，并设法找出了差异的原因。
Differences on themes, personages, conflicts, endings between Shakespeare 's and Guan Hanqing' s tragic arts are compared in the article and the reasons of diversity are tried to find out.
你可能一气之下想要扔掉婚戒，但千万别——因为对于这样的悲剧可能会有一个美满结局。
While you might be tempted to throw your wedding band out the window, don't - there could be a happy ending to your tragedy.
其小说《艾米·福斯特》中的主人公扬柯与他有相似的经历，但却是一个悲剧性结局。
Yanko, the hero of his Amy Foster, had an experience similar to that of the writer, but finally ended up with ruining himself.
夏洛克的悲剧结局体现了莎士比亚对犹太人的同情和怜悯。
Shakespeare expresses his compassion and sympathy for Jews by imposing a tragic conclusion on Shylock.
但是，不管怎样的分类，这些女性的结局都是悲惨的，在男权的统治下，她们都不可避免地走上悲剧的道路，或是自杀、或是发疯、或是出走。
However, in any case of classification, the out come of these women are miserable. In men world which have right to rule, they inevitably take to the road of tragedy, or suicide, or madness, or leave.
人们在表达真实的自我时，的确需要一定程度自恋和自爱，但是这种自恋却并不是痴迷于自己的虚拟的形象，否则就会像纳西索斯一样，落得个悲剧性的结局。
This requires some narcissism, the self-regard necessary to express our authentic selves – but not the obsession with image that caused Narcissus' untimely end.
中国古典戏剧大团圆结局一直为人所垢病，被当作“中国无悲剧论”的主要论据。
It argues for the existence of tragedy in China. The happy ending of Chinese classical drama, which has been criticized, is taken as the major argument that there is no tragedy in China.
——心碎最痛苦的，不是事情的悲伤结局变成了另一个开始，而是从这个悲剧一开始，你就迷失自己了。
The saddest part of a broken heart, Isn't the ending so much as the start. The tragedy starts from the very first spark, Losing your mind for the sake of your heart.
——心碎最痛苦的，不是事情的悲伤结局变成了另一个开始，而是从这个悲剧一开始，你就迷失自己了。
The saddest part of a broken heart, Isn't the ending so much as the start. The tragedy starts from the very first spark, Losing your mind for the sake of your heart.
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