中国体育用品行业经历产品时代与品牌形象时代后，正处于品牌定位时代。
Having been through the products phase and brands image phase, Chinese sports brands has entered the era of strategic branding.
研究澳门在英国伊丽莎白女王时代（1589-1600年）的形象，即《理查德·哈克路特的航海》中的代表性。
Study on the representation of Macau in Elizabethan England (1589-1600), namely in Richard Hakluyt's Navigations.
信奉该教的妇女穿着草原风格的连衣裙，头发盘在后面扎紧成圆圆的发髻，让人联想到拓荒时代的形象。
Women in the sect wear prairie-style dresses and keep their hair tied up in tight buns that conjure images of frontier times.
由于这是一个讽刺喜剧，来自现代的盖尔字字珠玑，而生活在黄金时代的人们则只能对自己的历史形象开些陈腐的玩笑。
Because this is a satirical comedy, the present-day characters get the best dialogue while the denizens of the golden age are reduced to clichéd one-liners about their own history-book images.
如果时代需要幻影的形象，你就给你的劳斯莱斯喷上疯狂的色彩。
If The Times call for psychedelic imagery, you paint a Rolls crazy colors.
她的本事让人佩服，尤其在这个今天形象往往被当作实质的营销时代。
Because brilliance must be respected, especially when it involves marketing in an era when image almost always passes for substance. (See the top 10 unfortunate political one-liners.)
多米尼亚神学家EdwardSchillebeeckx说“上帝已经消失了，而因为他的形象教会才存在了很多很多时代。”
Now "God has disappeared because of the image of him that the church used for many, many ages, " says Dominican Theologian Edward Schillebeeckx.
这些裹着紧身衣、披着斗篷的英雄们在荧幕上抢尽风头，但是他们的早期形象却受到了好莱坞质疑的眼光，也就是莱卡时代之前、带着软呢帽和面具的那些防暴警员。
But despite the screen-time lavished on the cape-and-tights contingent, Hollywood has been somewhat leery of their fedora-ed forbears, those unfortunate masked vigilantes from before the Age of Lycra.
油画语言是艺术家藉以表达和传递感情的工具，它通过视觉形象的表达完成传递感情和话语的作用，强调个人的感觉状态与时代文化的影响。
Oil painting is a language by which artists express and convey their emotions. It fulfills its functions through its visional effect and emphasizes individual feelings and cultural impacts.
“这些女性形象是一个我们这个消费时代的象征符号，”杨纳解释道，“(这些女人)被这种贪婪的以及过度物质化的生活方式所包围，她们看上去就是如此。”
"These women are a symbol of our era of consumption," Yang explains. "Enveloped in a lifestyle of greed and excessive materialism, these girls look alike."
查理·卓别林是好莱坞默片时代的巨星，他和他所创造的夏尔洛形象一起被人们永远铭记。
Charlie Chaplin silent film era of the Hollywood star, he and his image created Ciarlo always be remembered together.
的时代，基于相貌而物化女性这个问题在每次谈话中都是头等重要的大事，服装问题——以及相关的身体形象问题——是不能被轻易忽视的。
Trump, when the issue of objectifying women because of how they look is foremost in every conversation, the outfit issue — and the related body image issue — cannot be so easily dismissed.
形象刻板的废奴主义者，19世纪被称作“强盗男爵”的商人和银行家，1890年到1920年美国进步时代的改革者们，还有罗斯福新政，都是理解历史的绝好起点，但这每一个被刻板塑造出的形象都需要批判的修正。
The stereotypic Abolitionist, Robber Baron, Progressive Reformer, New Dealer is as good a place as any to begin understanding the past, but each of these inherited images needs critical adjusting.
为什么这些形象与社会和时代格格不入而被放逐、抛弃或死亡?。
Why are these intellectuals exiled, abandoned, and even killed because of their incompatibility with society and time?
他同样假定地球的运转，必须确定地球具有时代形象来正确地运行。
He likewise postulated that for the earth to work, it must have been established with the appearance of age to function correctly.
但得到另一个男人的男性之美只能临时代替一种真实的男性的自我形象。
But consuming another man's masculinity can only temporarily substitute for an honest male self-image.
宁夏联通作为一个后进入宁夏市场的电信运营商，在其成立之初，便以竞争者和挑战者的形象，开启了宁夏电信市场的竞争时代。
As the late comer to the Telecom market of Ningxia, Ningxia Unicom started the competitive new era of the telecom market with strong and aggressive image from its set-up.
深圳人和时代品牌形象策划公司为鹿咀山庄度假村打造品牌形象标志。
Shenzhen and brand planning company for the time deer Tsui Villa Resort brand visual identity.
数字化时代企业形象设计变得更加丰富和多元化。
The design of enterprise image in digital times has become even richer and diversified.
但是由于不同的文化环境和时代背景，“硬汉”形象及其刻画细节亦存在许多差异。
But due to the different cultural environment and epoch background, there are still many differences in the image and scoring details of a "tough guy".
透过这些从容于礼法之外的光辉形象，可以触摸到那个时代个性解放的思想脉搏。
Through these brilliant figures dodging the social rites, we can touch the thought pulse of the personality emancipation in that era.
第二章主要探讨了农民形象因时代文化思潮的变迁与创作主体多元文化选择的差异而形成的在二十多年来小说中的嬗变轨迹。
The second chapter mainly has discussed the evolution path of the farmer image because of time culture ideological trend vicissitude and the writer's different choice.
知识分子形象的塑造是一个时代的文化背景在文学中的某种渗透与言说。
The portrayal of intellectual images is the infiltration and formulation of the cultural backgrounds of a certain era into literature.
品牌营销经历了“产品至上”、“形象至上”和“定位至上”等几个阶段后，已经进入“价值至上”时代。
After the brand marketing has gone through "the product supreme", "the image supreme" and "the localization supreme" stages, it already entered the age of "value-leading".
信息时代的到来，要求重新塑造图书馆员的形象。
The advent of the information epoch demands to remold the librarians.
本文试图探讨这一形象变迁过程中体现出的不同时代、不同作者的女性观念以及发生这样一种观念嬗变的原因。
This article is at the aim of seeking the female consciousness of different time and different author as well as the causes which lead to these great change.
进言之，如果存在先于本质，而当我们存在的时候，我们也在创造我们的形象，则这个形象是适用于所有人类和我们所处的整个时代的。
If, moreover, existence precedes essence and we will to exist at the same time as we fashion our image, that image is valid for all and for the entire epoch in which we find ourselves.
进言之，如果存在先于本质，而当我们存在的时候，我们也在创造我们的形象，则这个形象是适用于所有人类和我们所处的整个时代的。
If, moreover, existence precedes essence and we will to exist at the same time as we fashion our image, that image is valid for all and for the entire epoch in which we find ourselves.
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