当我们移动时耳蜗中的液体流过微小的管道，我们就是通过这样的运动来获取平衡感的。
The movement of fluid through tiny canals deep in our ears allow use to sense movement and give use our sense of balance.
当我们进入第二阶段时，眼珠会停止转动，脑电波移动更慢了。
As we move into stage two, our eyes stop moving and our brain waves move more slowly.
比如困难之一就是：每当我们的眼球移动时，视网膜上的影像也在移动。
Consider one of the difficulties: every time we move our eyes, the image on our retina moves.
当我们向外太空移动时，从这些遥远的星系发出的光都是如此的长，我们实质上正在飞离而回到过去。
As we move out, the light from these distant galaxies have taken so long, we're essentially backing up into the past.
当我们在用户界面和数据库之间移动数据时，发现我们需要预见数据类型。
When we moved data between the user interface and database we discovered that we needed to anticipate the data type.
原来，当我们的内部时钟节拍加快以后，我们不但感知到外部世界的移动变慢了，我们实际上还可以记住更多的事情。
It turns out that when our internal clock is ticking faster, we don't just perceive the external world as moving slower - we can actually remember more about it.
然后当我们彼此共处时，我们却将自己置身于孤独的环境中——总在使用着移动设备。
And then when we're with each other, we put ourselves in situations where we feel alone-constantly on our mobile devices.
当我们在奋力触及10码线的同时，他们却把目标线向前移动了20码。
This is moving the goal line. While we were running for a touchdown and we were at the 10-yard line, they moved the goal post 20 yards forward.
我在东京Shibuya下车，感觉站台也在移动，我以为是火车移动的影响，当我走下站台，所有的一切真的开始了，广播里说有大地震我们必须离开建筑物。
I assumed it must be the train moving and it was only as I walked down the platform that everything really started.
当我们临近由iPad引领的下一代计算，微软和英特尔在移动领域面临着前所未有的压力。
As we approach the next evolution in computing as ushered in by the iPad, Microsoft and Intel are under extraordinary pressure to recover in mobile.
然后，当我们离开我们的工作，我们在做什么，我们在看移动设备，这也是一个非常密切的活动。
And then as soon as we leave our work, what are we doing, we're on our mobile devices, that's also a very close activity.
当我们没移动我们的动力曲线的最高末端时，我们正把被补充的努力放进透过增加一些小型计算机的效率在每台设备里提供更多的可行冲突的片。
While we aren't moving our power curve's top end, we are putting renewed effort into providing more skirmish-viable pieces in each set by increasing the efficiency of some minis.
它可以是一个巨大的分心，也因为动画和亮(移动)颜色是我们的眼睛格外难以忽视甚至当我们的大脑想。
It can be a huge distraction, too, since animation and bright (moving) colors are exceptionally hard for our eyes to ignore even when our brains want to.
当我们考察移动性对艺术和建筑在美学上及精神层面的影响时，这种改变也就愈加明显。
This also becomes visible when we look at the aesthetic and spiritual impact on architecture and the Fine Arts.
当我们随这些灵魂的移动前进，我们进入与精神及精神移动的连系。这会是真正紧要的。
When we go with these movements of the soul, we come into connection with spirit and with the movement of spirit. This would be what matters here.
在那组白色画面的作品中，我们体验到这样的感受，即当我们从画面的正面移动脚步向左或者向右的时候，画面上开始显现出某种特殊效果的、泛起银白色光泽的具象的某些形象。
In those white works, we can feel this sort of perception, and if we step to the left or the right, special effects appear in the image, emerging as silver-white forms of some sort.
在那组白色画面的作品中，我们体验到这样的感受，即当我们从画面的正面移动脚步向左或者向右的时候，画面上开始显现出某种特殊效果的、泛起银白色光泽的具象的某些形象。
In those white works, we can feel this sort of perception, and if we step to the left or the right, special effects appear in the image, emerging as silver-white forms of some sort.
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