本文也拟就对当代中国油画中的农民形象的诸多方面进行解析，也希望得出的结论能被人们认可或达到共识。
The article will give an analyzation on peasants images in Chinese Contemporary Oil Painting through some aspects, hoping to achieve a common understanding or to be accepted.
本文主要以1990年代以来中国油画实践的“图像”表征来揭示当代中国油画的精神症候和美学特征在油画语言中所呈现的变化。
This paper proclaims the change of the spirit symptom and esthetics characteristic in the oil painting language through the image presentation of the practice of Chinese oil painting since 1990s.
阿尔斯泰苏克，《每日电讯报》的艺术编辑说，这幅油画反映出了当代中国艺术家适应西方艺术风格和主题的趋势。
Alastair Sooke, the art writer for The Daily Telegraph, says the work reflects a trend of contemporary Chinese artists adopting Western styles and subjects.
因此，郭北平油画里的现实主义特征，是一种现实主义在中国的历史积淀，也是当代中国艺术中现实主义审美的结晶。
Therefore, the realistic feature in Guo Beipin's oil painting is a kind of realism in the history of China's heritage, but also a crystallization of aesthetic realism of contemporary Chinese art.
当代中国南北方油画家风格的差异主要体现在油画作品中情感和艺术形式两个方面。
The stylistic differences between oil paintings by the Northern painters and the Southern ones lie mainly in their emotional expression and artistic form.
当代中国南北方油画家风格的差异主要体现在油画作品中情感和艺术形式两个方面。
The stylistic differences between oil paintings by the Northern painters and the Southern ones lie mainly in their emotional expression and artistic form.
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