很明显这一切规则也适合琶音的弹奏，但那些动作是要比弹音阶的动作稍微放大了的。
Obviously the same rules apply to arpeggio playing where the motions are slightly magnified.
很好—你这次把音弹准了。
手指触及屏幕可以制造火光，手指拖拽可以画一条闪电，两指可以弹琶音，多指可以演奏复杂的琶音。
Tap your finger to create a spark, drag one finger to draw a line of electricity, two to play an arpeggio and more than two for more complex arpeggios.
背弹琵琶﹐仙音嘹扬。
Some play lutes on the back, the fancied celestial music resounding.
而在强力断奏中，止音器事实上会从止音器上横梁弹离，所以它归弦要更快。
In hard staccato, the damper is actually bounced off the damper top rail, so that it returns even more quickly.
这就是说，当弹重和弦的时候，在第六弦上按的这个音就是重和弦的音名。
This means that, while playing the power chord, whatever note is being held down on the sixth string is the name of the power chord.
为了避免弹错音，要养成在向下压键之前先感觉到和弦键位的习惯。
To avoid hitting wrong notes, get into the habit of feeling the notes of the chords before depressing them.
第33 - 35小节的右手八度旋律，要确保不要弹成渐强，尤其是最后的g音。
For the RH octave melody of bars 33-35, be sure not to play with any crescendo, especially the last G.
练习第53小节的时候，增加第54小节的第一个音符(1指弹的E音)作为连接。
To practice bar 53, add the first note of bar 54 (e played with finger 1), which is the conjunction.
通常来说，特别是电吉他，只弹三两个音听起来是最好的。
Often, especially on an electric guitar, it sometimes sounds best to play two or three note chords. This is when power chords come in handy.
现在最流行的方法是断音练习。缓慢的弹奏断音，可以让你在弹琶音时尽快地找到琴弦，为以后提高速度，控制独立性和流畅性有很大的帮助。
Playing staccato slowly when intonating the arp pattern will make you prepare the string as fast as possible, making for the potential of speed, control and fluency much greater.
几年前他们想要非常软的乐器来弹快速轮音（rasgueado），现在他们比较喜欢用古典吉他来弹弗朗门哥，但琴桥必须要放到很低，很低。
The well-known flamenco guitarist, Sabicas, now prefers a classic guitar to play flamenco. And the bridge has to be very, very low.
几年前他们想要非常软的乐器来弹快速轮音（rasgueado），现在他们比较喜欢用古典吉他来弹弗朗门哥，但琴桥必须要放到很低，很低。
The well-known flamenco guitarist, Sabicas, now prefers a classic guitar to play flamenco. And the bridge has to be very, very low.
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