崇古观念既是本文所认定的王铎书法思想的核心，对此观念一作剖析便成为本文的重点。
In my opinion, the worship of ancient classic arts is the mainstream of Wangduo? S thought, and based on this knowledge I will analyzing the worship.
客观地说，王铎书法思想还不系统，崇古观念更是散见其中，但在这里我们还是认定了它相当的理论色彩。
Objectively, the idea of Wangduo? S calligraphy is not very systematic, and worship of ancient arts was scattered in the idea. However, we can firmly believe that there is theoretical trace.
本文论述了“女书”字符构成中蕴含的造字者的崇鸟意识和我国东南地区古越人的鸟图腾文化。
This paper expounds the consciousness of worship of birds implied in Nüshu and the bird totem of ancient Yu people in southeastern China.
本文论述了“女书”字符构成中蕴含的造字者的崇鸟意识和我国东南地区古越人的鸟图腾文化。
This paper expounds the consciousness of worship of birds implied in Nüshu and the bird totem of ancient Yu people in southeastern China.
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