其次分析了其他作品中的女性形象。
在以往对托尔斯泰笔下娜塔莎、安娜、马斯洛娃这三大女性形象的分析中，不同程度地存在着一些问题。
In the past analysis of Natasha, Anna, Maslowa, three women's images in the works of Tolstoy, some problems exist in various degrees.
本文另辟蹊径，通过对他笔下的女性形象和社会背景的深层分析，揭示出男性权力中心话语对他创作的影响。
However, the author tries to disclose the influence given by male discourse power through the deep analysis of his female images and social background.
该人物形象凸显了莫里森女性主义叙事中所浸含的对历史和现实的理性分析。
The portrayal of this character implies Morrison's rational analysis of history and reality from a subtle feminist perspective.
以女性文学批评为视点，作者分析了剧中的女性形象，发现女性主体性的残缺才是导致女性悲剧命运不可或缺的因素。
From viewpoint of feminist literary criticism, the author analyses women's images in these dramas, and finds fragmentary subjectivity is inevasible factor that causes women's miserably fate.
其次，是从文本细读的角度，对新浪漫派中的女性形象进行文本分析和理论关照。
Secondly, from angle that text read in detail, women image in new romantic carry on text analysis take care of with the theory.
这一部分从三方面分析了纳博科夫长篇小说中女性形象生成的思想文化基础：1、多元文化的熏陶。
This part of the analysis from the Nabokov novel aspect of women's image generated by the basis of ideology and culture: 1, Multi-cultural edification.
本文从其词中塑造的女性纯情美的具体表现、女性形象纯情美与男性作家词中女性形象的区别及原因分析等方面进行了探讨。
This paper makes an analysis of some specific characters from her poems, the purity in such images, the figures created by male poets, and the contributing factors of the above differences.
本文尝试运用西方女性主义理论以及心理精神分析学的研究成果对茨威格塑造的女性形象加以研究。
This paper attempts to research on female image created by Stefan Zweig on the basis of Western feminist theory and psychological mental analysis achievements.
本文将池莉的小说《来来往往》中的三个主要女性形象的服饰特点作为分析的着力点，分别对她们的性格命运作了较为细致的论述。
The writing attempts to make an analysis of the clothes for the three heroines in to and Fro, a novel written by Chili, and elaborate their characters and fates respectively.
苏童小说中的人物形象主要有两大类型：少年和女性，论文主要从这两类人物身上蕴含的性格特征进行分析进而探究其深层的文化意义。
Su Tong's novel in two major types of characters: Youth and women, this thesis contains two types of people who analyze character traits and then explores the deep cultural significance.
主要运用女性主义批评，结合心理分析、身体诗学、社会历史批评、文化批评，以历史理性眼光审视妻妾形象。
The author applies feminine criticism and views the wives and concubines historically and rationally with the analysis of psychology, social and historical criticism, cultural criticism.
其次，从女性主体意识角度分析女性在电视广告中形象的转变。
Secondly, analysis the changes of female images in TV advertisement from a feminist perspective.
第二章到第四章主要从黑人女性主义视角分析三部曲中的黑人女性形象。
Chapter Two to Chapter Four are intended to analyze the images of black women in her Trilogy from the perspective of black feminist criticism.
本文试从黑人女性主义批评观的角度分析托尼。莫里森历史三部曲中的黑人女性形象。
This thesis aims to analyze the images of Black women in Morrison's trilogy from the perspective of Black Feminist Criticism and careful reading of the texts.
本文试从女性主义批评视角阐释《新垦地》的女性形象，并对其特殊意义作出分析。
This thesis mainly interprets the feminine images in Virgin Soil Vpturned on a viewpoint of feminist criticism, and analyses its special signification.
本文第一章主要从被遮蔽的女性、被压抑的少女、爱慕虚荣的女性和父权道德下的女性四个方面来分析茨威格笔下非自主性的女性形象。
The first chapter analyzes dependent female image mainly from obscured women, repressed girls, vanity women and women under patriarchal morality described by Zweig.
然后，运用文本分析法对样本文章进行定性分析，进一步探讨女性形象背后深层的性别意涵。
Then, the author USES text analysis to make qualitative analysis for further research on gender meaning after the female image.
为此，本人选取了13—15世纪西欧城市文学中的女性形象作为研究对象，力求通过分析得出女性在其中的全新形象。
Therefore, I choose the female image in western European urban literature from 13th century to 15th century to be my studying subject in order to analyze and obtain a new image of the female in it.
本文将利用女性主义视角，从审美形象和牺牲精神两个方面对主人公的女性主义意识进行分析。
This paper will analyze the two main characters' feminist consciousness in two aspects: aesthetic image and sacrifice spirit.
通过对一些具有典型性的女性形象加以具体的分析，可以看出，女性日渐摆脱了概念化、模式化的媒介形象，向着真实、多元化的方向趋近。
Some typical representation of the female image has to be specifically analyzed, and women can be seen rising from the conceptualization, image mode towards the direction of true and diverse women.
第二章具体分析了不同女性形象承载的不同历史文化内涵。
Chapter 2 specifically analyses different images of women, of those whom bore a variation in historical culture connotations.
第二章主要论述军旅题材小说中的女军人形象分析，分别论述了男作家笔下的女性形象和女作家笔下的女性形象。
The second chapter discusses the Military Novels of the image of female soldiers were male writer discusses the female image and the image of the female writer.
文章从这些女性形象自身，时间因素的作用，以及作者的创作心理等角度出发，对她们作出全面的分析。
This paper offers a general analysis of these characters from the perspectives of the women themselves, the time factor, and the writer's writing mentality...
本文着重分析作品中的乡村女性形象，并认为在这些形象中体现了作者对女性问题的理性思考。
There are various images of woman in the novel. When Zhang described the female figures, she puts her rational ideas about the issues of women in society.
以几部莎士比亚戏剧和中国古典戏剧中表现女性形象的意象为着眼点，分析意象的特征和它们在两种戏剧中的异同点。
This paper discusses the imagery used in the characterization of heroines in the love theme of Shakespearean drama and traditional Chinese drama.
第三章，归纳并重点分析九十年代中叶以来女性乡土叙事中出现的两类乡村女性人物形象——“留守女”和“打工妹”。
The third chapter inductive and analyze two kinds of local women's image—"rear girl" and "employed female worker" as a key, appeared since the middle of 1990s.
本文将对小说中的女性形象进行分析和延伸，来找到小说中女性形象形成的根源。
This paper analyzes the female characters in novels of novel and outspread, to find the root of the female image formation.
通过对莎菲、贞贞、陆萍、杜晚香等一系列女性形象的分析，探讨丁玲从20世纪20年代到70年代末对女性人生的独特体认。
By analyzing a series of women images of Shafei, Zhenzhen, Lu Ping, Du Wanxiang etc, this article deals with ding Lings unique insight and understanding of the lives of women from 1920s to 1970s.
通过对莎菲、贞贞、陆萍、杜晚香等一系列女性形象的分析，探讨丁玲从20世纪20年代到70年代末对女性人生的独特体认。
By analyzing a series of women images of Shafei, Zhenzhen, Lu Ping, Du Wanxiang etc, this article deals with ding Lings unique insight and understanding of the lives of women from 1920s to 1970s.
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