二者的女性书写所呈现出的不同景观，首先体现在母亲形象的塑造上。
The differences of their female writing exist firstly in their creation of mother images.
从黑暗森林归来的现代女性书写，以独特的视角和笔触，观照着女性个体生命的本质。
Returned from dark forest, the writing of modern females viewed the females' individual vital essence through the particular angle and words .
女性主义文学理论对中国女性书写的影响体现在两个方面：对批评的影响和对创作的影响。
The feminist literature theory has two aspects of influences on the Chinese female writing: influence on criticizing and influence on creations.
被遮蔽在父权文化暗夜中的现代女性书写，以独特的视角和笔触，观照着女性个体生命的本质。
Under the darkness of patriarchy culture, the writing of modern female viewed the female's individual vital essence at a unique visual Angle and with typical writing.
卫慧们的身体写作与法国女性主义创立的“女性写作”理论惊人契合，是中国女性书写的一次新尝试。
The surprising similarities between those writers and the French female writers who create the theory of women writing, which is a novel attempt of Chinese females.
纪尘的文学书写，有着一种心灵的穿透力，它汇集了一种内在的力量，是一种收缩于内心世界的女性书写，且贯穿着寓言化叙事的新视野。
Her literature writing has a penetration into the soul. It gathers an internal force, so it is a female writing contracting in the inner world and shows the perspective of allegorizing narration.
这个类别的作家坚持认为有,女性语言这么一说，女人,用整个身体书写。
Writers of this kind insist that there is such a thing as women's language. Women write not just with their heads and their phalluses but with their whole bodies.
当代女性诗人更加关怀日常生活中个体生命的经验，在现实的女性境遇中来书写女性。
Contemporary women poets much care more about the daily vital experience of individual and they write about women in the real circumstances.
这个问题没有一个能为大家共同接受的概念，包括研究女性的科学家，治疗女性的医生，开导女性的咨询师以及书写女性的作家。
The problem cannot be understood in the generally accepted terms by which scientist have studied women, doctors have treated them, counselors have advised them, and writers have written about them.
从女性主义的视角来看，古希腊神话和传说是站在男性中心的立场上书写出来的。
From female's perspective, the ancient Greek myths and legends are made by the man-centered society.
本章还从“女性特质”的角度，阐释了“明星电影”对民族主义书写的参与方式。
This chapter interprets as well the way "the Mingxing Films" participated in the nationalist writing from a kind of "feminine particularity" Angle.
20世纪中国文学史上关于知识女性的书写是颇有复杂意味的。
The intellectual-females' writing teems with complex implications in Chinese literary history of the 20th century.
《山歌》中的私情歌谣从女性的视角来消解了男性建构的神话，改变了其在男性为本位的传统作品中被书写的命运，使其由被言说的他者向自我言说的主体转变。
The love songs of ShanGe had broken men's mythological world from female perspective, and had realized the transformation from an object narrated by others in traditional literary works to a narrator.
第一章主要考察梦幻书写与女性主体性探寻之间的关系。
Chapter one puts emphasis on discussing the relationship between the dream writing and female subjectivity.
本文试图从萧红早年未婚怀孕的经验，考察萧红书写女性人物的特色。
Through looking into her early experiencing pregnancy without marriage, this paper attempts to examine Xiao Hong's features in describing female characters.
本文在梳理了西方和中国女性主义文学批评的理论资源的基础上，拟采用社会性别理论分析中国当代男性文本中对女性意识的书写。
This essay aims to analyze the women's consciousness in Chinese male writers' writing with a way of gender study on the basis of sorting our western and Chinese feminism.
丁玲早期的小说创作蕴涵着一种深刻的女性意识，在小说叙事中则体现为一种女性话语的书写。
There is a clear female awareness in Ding-ling's early writings which is symbolized as the female discourse in novel narration.
阿特伍德向忽略女性的官方历史提出挑战，书写了二十世纪重大历史事件中的女性受害者的历史。
Challenging the official history which often makes women invisible, Atwood focuses on the victimization of women by the major events during the twentieth century.
她们同时对当代底层妇女“苦难”命运进行书写，表现了乡村女性在新的时代背景下性格、心灵及命运的嬗变。
They all write about "the bitter fate" of the under stratum women in the present age, embodying the change of personality, mind and fate of country women under the background of new era.
结合普拉斯的创作经历与创作背景，探讨普拉斯在母性体验书写中所传达的关乎女性存在的思考。
Meanwhile, Flath's thinking on women existence conveyed by her motherhood concerns is discussed, which was in the light of her creation experience and background.
从这一意义出发，新历史小说应该说是当代女性作家淋漓尽致地书写自我和表达当下的女性主义意识的最佳空间。
Therefore, proceeding from this meaning, new historical novels would be the best position for contemporary feminine authors to thoroughly write and express the contemporary ideas on feminism.
对部落传统女性形象进行有意识书写者应属排湾族女作家利格拉乐·阿乌。
Liglale Awe, a woman writer of the Paiwan ethnic, consciously portrayed the images of traditional women in her tribe in her works.
虽试图消解男权，解构男性话语中心秩序，但女人的天空终究是低矮的，难以摆脱女性被主宰、被书写的命运。
While trying to dispel male power and deconstruct the male discourse center, the sky of women is slow after all. They are difficult to get rid of the destiny 'of being dominated.
同时作家在书写中反映出了浓厚的女性主义思想，并表现出苍凉、绝望的心境和对女性命运的深邃、执著的哲理性思考。
At the same time, the novels expressed thick feminism idea and the writer's feeling of wild, despair and her deep, inflexible, philosophical deliberation.
同时作家在书写中反映出了浓厚的女性主义思想，并表现出苍凉、绝望的心境和对女性命运的深邃、执著的哲理性思考。
At the same time, the novels expressed thick feminism idea and the writer's feeling of wild, despair and her deep, inflexible, philosophical deliberation.
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